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„Detronizacja powagi”. Szkic o obecności campu w polskiej prozie

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Kotuła D.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
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2012
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issue 4
37-45
EN
The author describes a mode of sensibility called ‘Camp’. She concentrates on the most characteristic features of it, especially on the ambivalence of any assessments, specific playful type of seriousness, theatricalization, artificiality, superior role of inverted commas and emphasis. While analyzing connections between Camp and homosexual subculture, the author stresses the role of the artists’ deepened self-consciousness and their deceitful distance towards their own works of art. Those features are especially noticeable in their playing with the conventions and with the principles of good taste. While describing the presence of Camp in the Polish literature, the author emphasises the roles of relativity, both aesthetical and moral. The elements of Camp are distinguished in the ‘banalistic’ literature and in the prose of Grzegorz Musiał, but the main part of the text is devoted to the prose of Michał Witkowski, in which we can find an intriguing combination of the sublimity and mockery, gloss and trumpery, spirituality and hedonism. Those features, inseparably connected with the stylistic of Camp, are constantly present in the prose of Witkowski. It makes him the most important representative of the discussed mode of sensibility in Poland.
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„Teraz, myślę, ale wcale nie” Zdrój Barbary Klickiej jako narracja maladyczna

100%
Kotuła D.
Prace Literaturoznawcze
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2020
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issue 8
101-113
EN
This article presents Barbara Klicka’s novel Zdrój as an example of an illness narrative.The novel is discussed in the context of both other examples of the genre and the theoretical worksdevoted to the topic. The fact she is experiencing illness determines the protagonist’s existence andher perception of the world. It influences her emotions. As a hypersensitive individual, she is ableto recognise the mechanisms of oppression embedded in the process of treatment, such as the objectificationof patients. The narrator’s status is peculiar – she is not losing the battle with her illness,neither is she recovering. She is a “wounded storyteller,” remaining in a liminal state. Illness is oneof the essential elements of the protagonist’s identity, and not simply the theme of her story butrather a condition without which the story would not exist.
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