Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

„Moja sztuka jest córką baroku i psychodelii” – twórczość Guillerma Péreza-Villalty w kontekście zjawiska kiczu

100%
Pięcińska A.
Załącznik Kulturoznawczy
|
2016
|
issue 3. Kicz nasz współczesny
176-193
EN
The aim of this paper is to present the silhouette of Guillermo Pérez-Villalta, one of the most important contemporary artists in Spain, in the context of the idea of kitsch. The key question for one who would like to study Pérez- -Villalta’s pictures is the problem of the coexistence of the negatively regarded component like kitsch and the real respect for the painter treated as one of the most important figures of art in his country. What may seem even more curious is that Pérez-Villalta himself declares a really positive attitude to kitsch – he even says about being fascinated with it. This fascination may have its origins in the ideas represented by the socio-cultural movement from the 70-80s 20th century – la movida madrileña – that Pérez-Villalta was one of the co-founders. Movida was very keen on fun, laugh, colors and kitsch as well. Villalta painted two very important pictures then – Grupo de personas en un atrio o la alegoría del arte y la vida o del presente y el futuro (1975) and Escena, personajes en la salida de un concierto rock (1979), trying to show the relationships between the members of movida. Even now it is easy to find the elements of kitsch in Pérez-Villalta’s pictures but it does not in any way deny his originality and high position among contemporary Spanish most venerated artist.
2
Publication available in full text mode
Content available

Niewerbalne elementy perswazji w ikonografii biblijnej sceny spotkania Chrystusa z faryzeuszami i jawnogrzesznicą - na wybranych przykładach ze sztuki włoskiej XVI i XVII wieku

100%
Pięcińska A.
Załącznik Kulturoznawczy
|
2018
|
issue 5. Perswazja (nie)werbalna
109-124
EN
The aim of this paper is to present the methods of depicting the act of persuasion on the picture in the background of the speech act theory. The analysis is based on the examples of Italian paintings from 16th and 17th century that are showing the scene of Christ meeting the adulteress. Firstly, the sequence of speech acts drawn from the text of the Gospel of saint John has been decoded. Furtherly, it was shown which of them had been chosen by the artists and how they had managed to transform the text into the painting using such tools as color, light and shade valor, and the direction of lines that organizes the composition. The conclusion is as follows: the act of persuasion can be easily recognized in painting not only due to the expressions of the faces of the protagonists of the scene and their gestures but as well due to the pure pictorial elements like the diagonal lines and strong contrast between light and shade.
3
Publication available in full text mode
Content available

Zwiastowania Guida Reniego w kontekście pragmatyki językowej

100%
Pięcińska A.
Studia Językoznawcze. Synchroniczne i diachroniczne aspekty badań polszczyzny
|
2018
|
vol. 17
261-269
PL
Przedmiotem badań są cztery obrazy Guida Reniego ukazujące scenę Zwiastowania Marii Pannie. Celem artykułu jest przeprowadzenie analizy tych obrazów za pomocą narzędzi wypracowanych na gruncie pragmatyki językowej. Autorka wskazuje najpierw na źródła tekstowe tematu ikonograficznego Zwiastowania; następnie podstawowy dla niego tekst, czyli fragment Ewangelii św. Łukasza, rozpisuje na poszczególne akty mowy, po czym bada, które z wyodrębnionych aktów zostały ukazane na obrazach. O określeniu typu aktu mowy wnioskuje na podstawie niewerbalnych i konsytuacyjnych komponentów współtworzących dany akt. Analizę pragmalingwistyczną uzupełnia o charakterystykę stricte malarskich środków, pozwalających artyście na gruncie sztuk plastycznych wykreować własną wizję sceny utrwalonej w tekście literackim.
EN
The subject matter of the research presented in the article are four paintings by Guido Reni depicting the Annunciation. The purpose of the article was to analyse those paintings with the instruments created within the discipline of linguistic pragmatics. Firstly, the author of the article indicates the textual sources of the iconographical theme of the Annunciation; secondly, she divides the main text, namely a fragment of the Gospels according to St Luke, into particular speech acts, and next she investigates which of those acts appeared in the paintings. It is possible to define the type of particular speech acts on the basis of non-verbal and accompanying components that contribute to a given act. She supplements the pragmalinguistic analysis with a description of purely painting means, which allowed the artist to create his own version – within visual arts – of a scene immortalised in a literary text.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.