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EN
The Old-Bohemian love poem Jižť veselé vzdávám is based on the contrasting principle, which is made by a number of opposites. Its character is of architectonic dyad, it consists of eight stanzas that are divided into two halves (4 : 4). The other part of the composition is covered with a unifying integrating element, which is accompanied and emphasized by a secondary integrating element.
CS
Staročeskou milostnou skladbu Jižť veselé vzdávám založil její tvůrce na kontrastním principu, jejž vytváří řada opozit. Celá báseň má ráz architektonické dyády, skládá se z osmi strof, jež se půlí přesně na dvě poloviny (4 : 4). Druhou část skladby prostupuje jednotící integrační prvek, jenž je doprovázen a umocňován sekundárním integračním prvkem.
EN
This short notice analyses the Czech folk play ‘A Shrewish Wife and a Desperate Husband’, written in the second half of the 17th century in the Silesian region of Kravaře. Its anonymous author used a contrast principle and architectonic correspondence (based on numbers five and six) when composing this play which takes place on the sacral day of St. Cecilia.
3
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Bezručův »Kovkop«

100%
CS
Petr Bezruč použil při výstavbě básně Kovkop těchto tektonických prostředků: opakování zák ladního slovesa, enumerativního výčtu, kladených otázek a minipříběhů. Závažnou roli má v básni rovněž obraz krve, refrén a titul skladby.
EN
Composing the poem Metal Digger (Kovkop) Petr Bezruč used those tectonic means: repetition of a basic verb, enumerative listing, asked questions and mini-stories. A picture of blood takes an important role as well as the refrain and the title of the poem.
PL
The text has been devoted to Pavel Kohout’s prose, a Czech prosaist, poet and playwright, one of the most esteemed modern writers. The text focuses on the composition of his literary works, and, first of all, on the way in which the elements of fantasy, grotesque and absurd function in his literature.
5
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Sokrates Josefa Tomana

100%
Bohemistyka
|
2019
|
issue 3
345-351
EN
Josef Toman divided his novel Sokrates (1975) into seven parts separated by intermezzi. In the prosaic composition he used hour time, epistolary components, Gods’ motives and significant chapters. A considerable role is represented by deus ex machina in the text. The work is concluded by mortal finale and paradox explicit. Toman’s interpretation of the Greek philosopher is close to the one by J. L. Fischer.
CS
Josef Toman rozvrhl svůj román Sokrates (1975) do sedmi částí, jež oddělil intermezzy. Při výstavbě své prózy použil horálního času, epistolární složky, motivu bohů a signifikantní kapitoly. Nemalou roli hraje v textu deus ex machina. Mortální finále a paradoxní explicit uzavírají dílo. Tomanovo pojetí řeckého filozofa je blízké pojetí filozofa J. L. Fischera.
6
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Desatero kázanie božie

100%
Bohemistyka
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2022
|
issue 4
517-524
EN
Satirical work Desatero kázanie božie from the 14th century is based on triadic principle, there are three examples of minor offence, the work consists of twelve architectonic units etc. The composition contains examples and as for the architectonics it is framed by a prologue and an epilogue. The text recorded in continuo tends to partial stanzettas.
CS
Satirické dílo Desatero kázanie božie ze 14. století je založeno na triadickém principu, jsou zde tři ukázky drobného provinění, dílo se skládá z dvanácti architektonických celků. Skladba je prostoupena exemply a je architektonicky zarámována prologem a epilogem. Text zaznamenaný in continuo naznačuje tendenci k dílčím strofettám.
7
100%
Bohemistyka
|
2022
|
issue 2
223-230
EN
Zapadlí vlastenci (1894) by K. V. Rais begins with temporal incipit, which frames the plot of the novel. The protagonists have birds’ nomina propria. The motif that goes through the whole work is a revelatory motif of a illegitimate child. Other aspects of the composition are diary-like and epistolar elements, as well as the anticipant’s character and significant chapter (13.). The prose work has a character of architectonic triad. From the morphological point of view, the author is close to Alois Jirásek and Julius Zeyer.
CS
Raisovi Zapadlí vlastenci (1894) začínají temporálním incipitem, který zároveň vymezuje celou dobu románového děje. Hrdinové prózy mají ptačí nomina propria. Celým dílem prochází apoditní motiv nemanželského dítěte. Na výstavbě románu se dále podílí deníková a epistolární složka, stejně tak postava anticipanta a signifikantní kapitola (13.). Rais vtiskl próze charakter architektonické triády. Morfologicky má autor blízko k Aloisi Jiráskovi a Juliu Zeyerovi.
8
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Tvar Máchových Cikánù

100%
Bohemistyka
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2010
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vol. 10
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issue 4
291-300
EN
The following components participate in the composition structure od Mácha’s novel: protagonist title, motto (from Polish poets), significant day (Jewish Sabbath), anagnorisis, the background of nature (storm), auxiliary character, auxiliary prop (letters), miles gloriosus and situational framework. A thematic, semantic and compositional axis is created by a stone, around which the crucial actions of the novel take place. At the end of the study K. H. Mácha is compared to his German contemporary Clemens Brentano.
9
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Historický román Františka Neužila

100%
Bohemistyka
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2012
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vol. 12
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issue 4
280-288
EN
František Neužil built his novel The Queen Elisabeth Richenza (Královna Eliška Rejčka, 1968) by means of contrastive introduction, dream scenes, figural pairs, sacral days, mythicized characters, postillon d’amour, storyline cut, paradoxical scene and epistolary form.
10
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Tvarosloví Žertu

100%
Bohemistyka
|
2011
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vol. 11
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issue 2
85-96
EN
The Joke by Milan Kundera is divided into seven parts; the first six parts are narrated as a monologue, whereas the last part is narrated by three persons. The structure of the novel also includes a paradox principle with four types of paradox. The said constructional means are complemented with synchronous moments.
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