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Film jako archiwum antropocenu. The Hunters Johna Marshalla

100%
Janikowska A.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
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2021
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vol. 113
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issue 1
131-145
EN
In her article the author analyses The Hunters (1957), a film directed by anthropologist and documentary filmmaker John Marshall, approaching it as an example of an archival object that extends the knowledge and experience of the Anthropocene. She discusses the potential of a documentary and anthropological film for informing about changes related to the ecological crisis. Using the story of the Bushmen from Marshall’s film, the author presents the previously omitted or marginalised ideas that shed new light on the crisis in the Ju/’hoansi community in the face of ongoing globalisation and development of Western civilisation. Inspired by the concept of ‘alternative natures’ proposed by Phil Macnaghten and John Urry, she identifies and interprets three types of nature that reflect the Western approach to the world in The Hunters, thus exposing the ethnographic myth of objective research. She argues that the Anthropocene is not only an epoch of progressing climate changes and pollution of ecosystems but also of profound interference with the lifestyles of distant cultures affected by the consequences of colonialism and the activities of anthropologists, ethnographers, and film crews.
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O trudności ekranizacji. Andrzej Wajda i „Jądro ciemności”

100%
Janikowska A.
Prace Kulturoznawcze
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2018
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vol. 22
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issue 3
93-100
EN
The purpose of the article is to characterize and analyze the possible shape of a film adaptation of Heart of Darkness by Joseph Conrad, which Andrzej Wajda never accomplished. Through using archival materials, notes, letters, scripts and screenplays the author of the article reconstructs the creative work of the director on the idea of the movie and the issues which eventually prevented a finalization of this project. The article refers not only to Wajda’s unrealized film, but also to Conrad themes present in the director’s creations.
3

Koniec „naszego” świata. Elvin Flamingo o końcu człowieka

100%
Janikowska A.
Prace Kulturoznawcze
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2018
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vol. 22
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issue 1-2
163-172
EN
Article, based on creativity of Polish visual art performer Elvin Flamingo, focuses on ways of building new ecological awareness and hierarchy of entities issue in Anthropocene era. The purpose of the text is to draw attention on threat to human species in Anthropocene era. Article concentrates on potential of equality assumptions of Anthropocene, which are being realized in symbiotic and community thinking.
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