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EN
The article presents the results of the comparative study of etiquette frame situations (greetings and farewells) formed on the linguistic material of Russian and Belarusian folk tales. Speech etiquette funds analysis is held in two directions: the vocabulary and grammar, i.e. set of etiquette signs and features of their functioning, paradigmatic and syntagmatic relations. Special attention is given to the units of communication – dialogic unities formed with replicas of speech etiquette, including the ways of horizontal scanning replicas, receptions organization etiquette texts. The analysis is done with the diachronic aspect: the distinctive features of functioning of speech etiquette designs with the meaning of greetings and farewells in folk prose on the background of their current use. Based on the identified similarities and differences of speech etiquette microsystems of greeting and farewell of Russian and Belarusian languages concludes that the formulas of politeness reflect national specifics of each of these closely related languages that represent the identity of Russian and Belarusian cultures.
EN
The article presents a certain tradition in the Russian classical lyrical poetry, which originates in the motif of a lyrical subject’s taking his leave of St. Petersburg – and reflecting on this parting. The lyrical plots and the poetics of such poems have been subject to evolution in the course of the 19th and the 20th century and developed into a number of typical forms; in the 21st century these forms have been in interaction and various poets have been using them. The article brings the analysis of the lyrical cycle Parting with St. Petersburg by Fiodor Gorodov, an amateur poet publishing on the Internet. The cycle constitutes an interesting realization of the genre and successfully brings together all its main varieties.
RU
В статье представлена традиция русской классической лирики, сложившаяся на основе мотива расставания лирического героя с Петербургом – и рефлексии этого события. Сюжеты и поэтика таких стихотворений в XIX–ХХ вв. эволюционировали и создали ряд типовых форм; в XXI в. они взаимодействуют и используются разными авторами. Анализируется лирический цикл Прощание с Петербургом Ф. Городова, сетевого поэта-любителя, успешно и интересно отображающего и сопрягающего в целое все основные разновидности жанра.
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