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Феномен синестезии в европейском музыкальном искусстве эпохи романтизма

100%
Zaytseva M.
Path of Science
|
2016
|
vol. 2
|
issue 11(16)
3.1-3.13
RU
В статье выявлены синестезийные основы художественно-эстетического сознания философов, поэтов, композиторов романтической эпохи. На основе анализа эпистолярного и критического наследия композиторов-романтиков определены особенности проявления синестезии в их творческом мышлении. Обосновано значение визуальных, осязательных, вкусовых, кинестетических ощущений в процессах смыслопорождения и образотворчества.
EN
The article reveals synesthesiс foundations of artistic and aesthetic consciousness of philosophers, poets, composers of the Romantic era. Based on the analysis of the epistolary and critical heritage of Romantic composers, the particularities of synaesthesia manifestation in their creative thinking have been identified. The importance of visual, tactile, gustatory, kinesthetic perception in the process of meaning and image creation has been proved.
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Художественно-экспрессивное мышление и современное художественное пространство Yкраины

80%
Poliszczuk O.
Literatura i Kultura Popularna
|
2016
|
vol. 22
7-21
EN
The article is devoted to the question of the necessarity of differentia in the art thinking such as the artistic-expression thinking, and also analyses its nature and its original features made in artistic space of Ukraine. Connection between artistic-expression thinking, as phenomenon, and artistic products in Ukrainian modern popular culture is analyzed. The article is devoted to the problem of the main feature of the Ukrainian national character, and also the domination of ideal of beauty in Ukrainian national tradition is considered. The development of aesthetical sensitizm, but not sentimentalism, is a key trait as the feature of the Ukrainian national temper.
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