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RU
The paper is the latest experience in the series of analitic investigatin of Cantemir’s satyres on microlevel and is devoted to one of the main oppositions - "youth/old age". Thesaurus analysis of lexical-semantic fields, grammar, metaphorical codes, rhetorical devices makes evident the laws of the internal symmetry and close interrelation of all key oppositions on which the whole structure or satyrs rests.
PL
The paper is a continuation of series of author's publications on Antioch Cantemir’s satires in the light of poetics and deals with principles of manage-ment system representation in satires. The main principle of this system is sidestepping of the law. The mechanism of sidestepping – bribes, servitude, flat-tery, etc. – is reflected in the mirror of satire in all detail. Cantemir’s scheme of the bureaucratic world turned out to be in demand in Russian literature. “Slander”, “red cloth”, “bribes” and many other elements from Cantemir’s fund were actively used in Russian satires and comedies in the 18th-20th centuries.
RU
The paper deals with the analysis of representation of one of the key oppositions in A. D. Kantemir’s Satires "Truth /lLes" on microlevel of the text. The analysis con-sists in comparison of lexico-semantic fields of truth and lies, their metaphorical codes, the system of rhetorical techniques. The distinction line between truth and lies is very thin; it is nesessary to monitor the smallest details - the signs - in or-der to be able to distinguish between them. The keys to decoding these signs often lie at the microlevel of the text. Cantemir’s Satires equipe us with those keys.
PL
The paper is a continuation of a series of publications by the author on the poetics of A. Cantemir’s satires and is devoted to the interpretation of satires through the prism of speech modes – in particular, the mode of the sermon. The sermon is considered exclusively from an artistic point of view: as a speech of the consultative type (according to Aristotle), possessing a set of its own rhetorical techniques. A successive analysis of the functions of a «sermon» in five satires makes it possible to acknowledge the long–term benefits of the interpretation of satires from the perspectives of the sermon and confession modes, along with the possibility of studying the polyphonic tone of satires.
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