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DIE DECKENMALEREIEN IM „PRUNKSAAL“ DER WIENER NATIONALBIBLIOTHEK UND IHR VERHÄLTNIS ZUM ALBRECHTSCODEX (WIEN, ÖSTERREICHISCHE NATIONALBIBLIOTHEK, COD. 7853). IDEE UND AUSFÜHRUNG IN DER BILDENDEN KUNST UNTER KAISER KARL VI.

100%
Werner T.
ARS
|
2010
|
vol. 43
|
issue 2
137-153
EN
The paper examines connection between a work of literature (Albrechtscodex, before 1734) and a work of art (vault paintings in the Vienna National Library by Daniel Gran, 1726, 1730). Given that the Albrechtscodex has only a small number of continuous text passages, the part dealing with the National Library gains a great importance. The text by concettist Conrad Adolph von Albrecht differs massively from the actual outcome. It seems that it originated later than the paintings, thus showing a rather free relation between the concetto and the actual work of art in the given era.
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