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PRESTUPOVANIE DIVADLA A POLITIKY. NA PRÍKLADOCH NIEKOĽKÝCH INSCENÁCIÍ SLOVENSKÉHO NÁRODNÉHO DIVADLA V ROKOCH 2013 – 2018

100%
Podmaková D.
Slovenské divadlo (Slovak Theatre)
|
2020
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vol. 68
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issue 2
101 – 120
EN
The authoress deals with the selected productions of the Drama Company of The Slovak National Theatre focusing on the portrayal of modern society. The viewer’s evolution is brought to the fore, as the spectator no longer passively absorbs the theatrical form, but rather expects creators to demonstrate their political attitude through their artistic creation. To get this accomplished, theatre professionals are free to work with more or less known older dramatic texts or with contemporary plays that utilise current body of facts and put their own knowledge to use, with Karpatský thriller/The Carpathian Thriller (2013) being a good example. Equally, they are free to develop their own interactive authorial projects which are based on documentary material. However, in addition to sharing general information, their goal is to obtain feedback from the recipient, i.e. the viewer. Natálka /Nathalie (2016) is exactly such kind of production. It was not only a test of the theatre makers on how this sensitive topic ought to be captured, but it also was a test of the society’s capacity to understand the metaphor without attempting to find an enemy in it at all costs. The most proven type of model for the application of politics in theatre is ancient drama. A well-balanced abridgment of Sophocles' Antigona/Antigone (2018) and the engagement of contemporary original music of the young generation and theatrical images are the most recent example of a political attitude of theatre makers.
2

Sofoklesowa Antygona jako przykład urzeczywistnienia Heglowskiego ideału bohatera narodowego

100%
Tendera P.
Kwartalnik Filozoficzny
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2014
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vol. 42
|
issue 2
131-148
EN
In my paper I present a new understanding of difficult relations in a post-war society, in which its members are wrestling with the problems of forgiveness, sadness, and sorrow. Hegel gives us an interesting interpretation of regaining control of a state and restoring order. We can see an example of this in Antigone, where we also find a typical Hegelian implementation of the concept of historical character.
3
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Kim (według feministek) jest Antygona?

84%
Janiak E.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2019
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vol. 27(27)
230-244
PL
The article aims to trace the reception of Antigone on the basis of femi- nist and gender criticism. It turns out that the same categories noticed by individual researchers are assessed and valorized differently, accordingly to the feminist trend they identify with. The author decides, therefore, to reverse the optics and evaluate the discourse through the prism of the method of analysis and interpretation of the mythological heroine.
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