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Kwestia religii i literatury: "Narzeczeni" i recepcja katolicyzmu Manzoniego

100%
Figueira D.
Italica Wratislaviensia
|
2016
|
issue 7
87-103
EN
The essay examines the phenomenon of negative reception of religious thematics in the field of Comparative Literature in the US and the difficulties in interpreting I promessi sposi as a reflection on human accountability and its relationship to the idea of theodicy, both in American and Italian academe. Particular attention is paid to the problem of methodological and practical introduction of religion into the dyadic system of interdisciplinary studies in Comparative Literature.
PL
Artykuł dotyczy zjawiska negatywnej recepcji tematyki religijnej w amerykańskiej komparatystyce oraz trudności, jakie w amerykańskim i włoskim środowisku naukowym wiążą się z interpretacją Narzeczonych jako refleksji nad odpowiedzialnością człowieka i jej związkami z ideą teodycei. Szczególną uwagę poświęca się zagadnieniu teoretycznego i praktycznego wprowadzenia religii w obszar binarnych studiów interdyscyplinarnych z zakresu komparatystyki.
2
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Una “nuova patria”. Confini e migrazioni nei "Promessi Sposi" di Alessandro Manzoni

80%
Danelon F., Danelon F.
Kwartalnik Neofilologiczny
|
2019
|
issue 3
3

„Wszak słowo dla mnie tak wiele nie znaczy!” Goethe jako tłumacz i teoretyk przekładu

57%
Zatorski T.
Przegląd Humanistyczny
|
2014
|
issue 1(442)
81-102
EN
Although Goethe is primarily an independent author of high rank, translations occupy a significant place in his work. Some of them, e.g. The Poems of Ossian or Mad Wanderer were included in his own works. Goethe not only translated, but also analyzed various translation techniques (the deep reflection on translation was indeed a hallmark of his era). He noticed advantages of translating the poetry by means of prose and techniques of translation which introduced the original to the reader and facilitated its perception, however he found translation close to the original as ideal translation – in case of poetry this translation was close to interlinear – and somehow “bringing up” the reader to acquire it. This theoretical reflection on the translator’s profession was discussed mostly in one of the essays accompanying West-Eastern Divan. However, not always he followed the rules which he recommended, e.g. he germanized quite freely memories of Benvenuto Cellini.
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