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Wokół Choppersów Anny Okrasko

100%
Panoptikum
|
2008
|
issue 7(14)
335-337
EN
The text Around Anna Okrasko “Choppers”, concerns Anna Okrasko exhibition in Okna Gallery (06.08 -26.08.2007) that was devoted to a visit to Saigon museums. Comments about Polish reception of Vietnam War during cold war period and about construing present day historical politics using museums are an introduction to the problematic of the exhibition. The analysis of Choppers is built through developing the context or asking about it. Key figure of the interpretation is Tourist’s view formed by American films on Vietnam.
EN
In the article I discuss the strategies of visualizing the community in the video of Anna Okrasko Next to you I remember I am (2016). The images of the communities artist proposes are based on politician’s speech and scenes from religious processions. Analyzing the values that organize these stories, I consider the reality they refer to as well as I try to give an account of the role played by ambiguity in constructing/dismantling the communities (following Zygmunt Bauman ambiguity is understood here as a specifically modern practice which manifests itself in constant clash with the need for order).
PL
W artykule przyglądam się strategiom wizualizowania wspólnoty zawartym w wideo Anny Okrasko Next to you I remember I am (2016). Elementy konstrukcji wyobrażeń wspólnot oparte są na przemówieniu polityka i scenach z procesji religijnych. Analizując wartości, organizujące te opowieści, zastanawiam się nie tylko nad rzeczywistością, do której się odnoszą, ale próbuję również zdać sprawę z roli, jaką w konstruowaniu lub/i demontowaniu wywołanych wspólnot odgrywa wieloznaczność (traktowana za Zygmuntem Baumanem jako praktyka specyficznie nowoczesna i ujawniająca się w nieustannym starciu z potrzebą ładu).
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