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EN
The aim of this paper is to confront two opposite views on the romantic idea of love and its role in contemporary Western societies. According to one of the analysed perspectives, represented most fully by Anthony Giddens, the romantic idea of love is seen as a dangerous delusion, bound to be abandoned in the rapidly changing societies of today. According to the other view, proposed by Pierre Bourdieu, romantic love is still the only means to escape the power of symbolic domination. In conclusion, both accounts are analysed in terms of their underlying mythologies: victorian in case of Giddens, romantic in case of Bourdieu. Notions of ‘ontological security’ and the ‘unity of the loving dyad’ are shown to be the cornerstones of powerful mythological systems encompassing our aims and modes of expression.
Tematy i Konteksty
|
2017
|
vol. 12
|
issue 7
315-329
EN
Due to surprisingly different historical testimonies about Polish identity and character – Poles being astonishingly kind-hearted, naive and polite and at the same time quarrelsome and incapable of acting together – how should a peculiar weakness of Polish social existence leading to „ritual chaos” be understood? Gombrowicz in his ironic historical dramas – in Ślub (Wedding), in Historia (History), in Operetka (Operetta) – leads us to discovering mature immaturity understood much more widely than just criticism of Polish form or „trap” suggesting the possibility of critical but conscious accepting Polishness as a feeling of helplessness in the face of this world powers, a weak, unfinished and vague identity and at the same time showing unexpected benefit from this seemingly hopeless situation: Polish weakness, self-conscious, unassertive identity gives a chance to react more flexibly, maturely to revolutionary changes in contemporary world. Speaking the language of contemporary subjective sociology the Habermas vision of ideal community of communication is defeated by Anthony Giddens’s description of structuration in which true mechanisms of creating efficient collective identities can be seen.
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