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W poszukiwaniu nowej teorii sztuki

100%
Tendera P. A.
Estetyka i Krytyka
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2008
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issue 13-14
299-305
2
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Dwa bałwany rozmawiają o... sztuce

88%
Kamisińska D.
Estetyka i Krytyka
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2013
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issue 3(30)
55-70
XX
The text is an attempt to draw attention on the artificially created and overly publicized „crisis” in contemporary art, and related to this, signaled by art critics and artists, the need to redefine the status of the artist, the characteristics and location of art works, as well as the recipient’s participation in the creative process. The pretext for the discussion was a picture of Norbert Schwontkowski Two artists talk about... and also the opinion of Arthur C. Danto, that „the art will always have something to do, if the artists are content with that.” Imaginary confrontation of artistic views of two discussing snowmen does not lead to clear conclusions, which, perhaps, once again confirms our belief that the art, especially the one that has „something to do,” is better to be created than to argued about.
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K filosofii dějin Arthura C. Danta a problému historické podmíněnosti narativních rámců

88%
Lojdová Š.
Filosofický časopis (Philosophical Journal)
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2022
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vol. 70
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issue 2
285-301
EN
Arthur C. Danto’s philosophical study of history is overshadowed by his more famous texts in the area of the philosophy of art. In the current discussion on the philosophy of history it follows then that the thematization of Danto’s conception of narrative and narrative sentences predominates. The author of this article instead focuses on the retrospective character of the uncovering of the meaning of historical events by Danto and argues that not the only the meaning of the given events is historically conditioned, as Danto claims, but also the narrative through which the significance is communicated. Although Danto does not address this problem, this study aims to show that this thesis is consistent with his philosophy. Narratives and historical texts in general are representations in Danto’s sense of the word, and all representations are, in their essence, also historical. This fact is clearly revealed in Danto’s texts about art, and it is on these that the author’s argument is based.
CS
Filosofické zkoumání dějin se v díle Arthura C. Danta ocitá ve stínu jeho slavnějších textů řazených do oblasti filosofie umění. V současné diskusi o filosofii dějin pak převládá tematizování Dantova pojetí narativu a narativních vět. Autorka se namísto toho zaměřuje na retrospektivní charakter odhalování významu historických událostí prosazovaný Dantem a dovozuje, že historicky podmíněný není pouze význam daných událostí, jak tvrdí Danto, ale také samy narativy, jejichž prostřednictvím je význam sdělován. Přestože Danto tomuto problému nevěnuje pozornost, klade si tato studie za cíl ukázat, že je tato teze s Dantovou filosofií v souladu. Narativy a historické texty obecně jsou totiž reprezentacemi v Dantově smyslu slova, přičemž jsou veškeré reprezentace ze své podstaty zároveň také historické. Tato skutečnost se zřetelně odhaluje v Dantových textech o umění, o které se argumentace autorky opírá.
4
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Powtórzenie w sztuce polskiej od lat 90. XX wieku a problem końca sztuki

75%
Śniegocka B.
Estetyka i Krytyka
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2013
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issue 3(30)
129-144
XX
Article presents ways of using the philosophy of difference and repetition as a method of interpretation the contemporary Polish art. It is shown how the philosophy is functioning and forming itself. Theoretic considerations apply concepts of Gilles Deleuze and Jacques Derrida and the use of this line of researches in the discourses of art taken by Rosalind Kraus, Umberto Eco and Arthur C. Danto. Synthetic analysis of repetition which is understood as a morphological, ostentatious, transformation and transfiguration can be found both in the pop-art and contemporary Polish art, called popbanalizm, which for the purposes of the article is represented by Wilhelm Sasnal, Marcin Maciejowski, Jakub Julian Ziółkowski, Agata Bogacka, Jawdiga Sawicka.
5
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Trwanie plamy i migotanie linii. Przestrzeń i czas w grafikach Arthura C. Danto

75%
Winskowski P.
Estetyka i Krytyka
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2016
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issue 3(42)
193-218
EN
The woodcuts of Arthur C. Danto remain overshadowed by his work as a philosopher, aesthetician and art critic. The present article addresses several formal aspects of these woodcuts, beginning with an analysis of the graphic line and the way in which these lines are composed of stains, the suggestion of space appearing at the edge of the line, the relationship between the amount of time invested in the making of a woodcut and the time taken up by its perception as well as the aesthetic motifs of the Far East, especially in terms of the spontaneity of the artistic act set against the time-consuming and disciplined production of a woodcut block. The text refrains from analysing the relationship between Danto’s philosophical theorising and his artistic work and instead identifies particular technical characteristics of his work that may constitute a starting point for a general aesthetic reflection on his woodcuts and, subsequently, on the relationship between the act of creating and the act of philosophising.
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