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EN
The article summarizes four years of my research conducted in the archives of liberatic avant-garde authors: the post-war British writer B.S. Johnson and the Polish artists Zenon Fajfer and Katarzyna Bazarnik. Tracking the history of their collections, I pay attention to their multimodal character, corresponding to the authors’ unconventional works. I illustrate how Johnson, Fajfer and Bazarnik organise their materials, so as to examine similarities and differences between their ways of handling avant-garde collections.
PL
Artykuł jest podsumowaniem czteroletniej pracy w archiwach liberatów – angielskiego pisarza powojennego B.S. Johnsona oraz polskich twórców: Zenona Fajfera i Katarzyny Bazarnik. Omówiona zostaje w nim historia obu kolekcji oraz ich multimodalny charakter, korespondujący z awangardowymi dziełami autorów. W perspektywie komparatystycznej ukazane są strategie porządkowania wybierane przez Johnsona oraz Fajfera i Bazarnik, a także podobieństwa i różnice w ich sposobach archiwizowania literatury niekonwencjonalnej.
DE
Der Artikel enthält das Abstract ausschließlich in englischer Sprache.
EN
The article analyses the representation of the newspaper medium in The Unfortunates – the fourth novel by the post-war British avant-garde author B.S. Johnson. The narrator’s job as a football reporter is discussed with reference to other themes and the unconventional form of the novel. Special attention is paid to the section called “The pitch worn”, which presents the process of writing the report. The aim is to see how the chapter resonates within the whole work and what it reveals as regards Johnson’s views on precision, honesty and liveness. Literary analysis is accompanied by references to journalism and media studies.
FR
L'article contient uniquement le résumé en anglais.
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