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In the Beginning Was the Word

100%
Skarga B.
Przegląd Filozoficzny. Nowa Seria
|
2004
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vol. 13
|
issue 2(50)
5-10
EN
Time and music both impart a certain sense of continuity and succession on our imagination. Moreover, music always begins from a few first notes that activate our inventiveness and make us imagine how the melody will run further on. Similarly our conscious life begins from a few initial presupposition that we can develop and continue in different directions. In both cases the beginnings are of utmost importance. They promise more that life usually permits, introduce a sense of rhythm and order, open new horizons and probe the limits of our liberty. It is also interesting that both time and music are open to retrospective reinterpretations. The actual point of departure is to some extent arbitrary and/or conventionally imposed. The continuation is exposed to a risk of dissonance or a wasted opportunity. But it can also lead to unexpected or undeserved satisfaction. Finally the effect can mean many different things to different people.
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Initium, tactus, ens – doświadczanie początku warsztatem artystycznym

63%
Łubiński S.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
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2019
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vol. 27(27)
146-162
PL
A discourse concerns the subject “appearing in being”, discussed with the example of the process of building works of art. The axis and tool for the proposed model of narration is touch, understood in a literal way (the rela- tion between senses and reality) and metaphorical (the mind constructing and processing concepts), which constitute a primary cognitive instrument for a human, and especially an artist of fine arts. Based on chosen philo- sophical concepts (E. Husserl and Aristotle), aesthetics (Juhani Pallasmaa), art history and one’s own creative experience, it will present a privileged position of fine arts towards different sciences, as a field allowing success- ful undertaking of complex concepts at the point of ideas of matter and perception.
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