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1

Pogrzeb królowej Jarosława Iwaszkiewicza – opracowanie edytorskie

100%

Papieski R.

Fabrica Litterarum Polono-Italica

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2020

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issue 2

129-155

IT

Il saggio si basa principalmente sul manoscritto inedito del romanzo di Jarosław Iwaszkiewicz dedicato a Bona Sforza, Il funerale della regina, su cui egli ha lavorato tra il 6 giugno 1949 e il 1953. L’autore presenta le fonti che hanno dato origine al libro e il modo in cui si è sviluppato. Inoltre, tutti i documenti scoperti e raccolti da Iwaszkiewicz nel corso della lavorazione al romanzo sono inclusi nel libro: appunti, le nove versioni della prima frase del romanzo, le lettere di Ludwik Kolankowski e Zofia Zarembianka, le quali hanno fornito a Iwaszkiewicz fatti concreti. La conclusione del saggio ci illustra che la grande quantità di documenti raccolti da Iwaszkiewicz, invece di aiutarlo, lo ha paralizzato, rivelando così la natura della sua scrittura.

EN

The article mainly quotes a previously unpublished manuscript of Jarosław Iwaszkiewicz’s novel about Bona Sforza, entitled The Funeral of the Queen, which he has worked on between the 6th of June 1949 and 1953. The editor presents the origins of the book and its development. Additionally, all documents that Iwaszkiewicz researched and collected while working on the novel are included in the book, including notes, nine versions of the first sentence of the novel, and the letters from Ludwik Kolankowski and Zofia Zarembianka, who provided Iwaszkiewicz with factual information. The conclusion of the article reveals the nature of Iwaszkiewicz’s writing, showing that a huge amount of documents he researched – instead of helping him – paralysed him.

2

Zapomniany film o Barbarze Radziwiłłównie

72%

Werner M.

Fabrica Litterarum Polono-Italica

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2020

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issue 2

75-81

IT

L’articolo è dedicato al primo film polacco in cui comparve il personaggio di Bona Sforza Barbara Radziwiłłówna girato nel 1936 dal noto regista Józef Lejtes. Si presentano le circostanze della nascita del film, si accenna all’immagine della regina in esso racchiusa e si rievocano numerosi commenti apparsi nella stampa sia contemporanea che posteriore.

EN

The article focuses on the first Polish film in which the figure of Bona Sforza appeared, namely Barbara Radziwiłłówna, created by Józef Lejtes, a well-known director, in 1936. Moreover, it discusses the circumstances in which the film was made, and the image of the queen presented therein. Numerous comments which appeared in the press, both contemporary and of a later period, have been recalled.

3

L’immagine di Bona Sforza nella letteratura teatrale polacca [Wizerunek królowej Bony w polskiej literaturze dramatycznej]

44%

Werner M.

Fabrica Litterarum Polono-Italica

|

2020

|

issue 2

53-64

IT

The article presents literary image of queen Bona appearing in Polish nineteenth and twentieth century drama and makes an attempt at explaining the reasons for painting such an image. The action of the majority of plays discussed (written in the nineteenth- and the beginning of the twentieth century) was inspired by the stormy course of marriage between Sigismund Augustus and Barbara Radziwiłł while Bona, as a character depicted in dark colours, was opposed to excessively idealised Barbara. The queen from the Sforza family was shown as a woman blinded by hatred, power-thirsty, a cunning and unscrupulous plotter, pitiless poisoner, foreigner acting against the interests of Poles and implementing the controversial teaching of her countryman Machiavelli. The negative and historically false image became blurred with the passage of years to change radically as result of a more critical attitude to Barbara in the literary works written after the Second World War. From a bad monarch wishing Poland ill, Bona turned to a wise ruler and far-sighted politician defending the interest of her second homeland. The article discusses separately radically differing images of queen Bona outlined in two dramas set in Bari and not inspired by Sigismund Augustus’ marriage. Additionally the stage history of one of the dramas is presented.

PL

W artykule omówiono literacki wizerunek królowej Bony w polskich dramatach dziewiętnasto- i dwudziestowiecznych oraz podjęto próbę zrozumienia jego genezy. Akcja większości omawianych utworów, napisanych w XIX i na początku XX wieku, zainspirowana jest burzliwymi losami małżeństwa Zygmunta Augusta z Barbarą Radziwiłłówną, a postać Bony, odmalowana w ciemnych barwach, przeciwstawiona jest nadmiernie wyidealizowanej postaci Barbary. Królową z rodu Sforzów ukazano jako kobietę zaślepioną nienawiścią i żądną władzy, sprytną i pozbawioną skrupułów intrygantkę, bezlitosną trucicielkę, a także cudzoziemkę, która działa na szkodę Polaków i wprowadza w życie kontrowersyjne nauki swojego rodaka Machiavellego. Ten negatywny wizerunek, niezgodny z rzeczywistością historyczną, z biegiem lat coraz bardziej traci na wyrazistości, by zmienić się radykalnie w utworach powstałych po drugiej wojnie światowej za sprawą bardziej krytycznego ukazania Barbary. Ze złej i wrogiej Polsce monarchini Bona staje się mądrą władczynią i dalekowzrocznym politykiem, broniącym interesów przybranej ojczyzny. W dalszej części artykułu omówiono skrajnie różny sposób przedstawienia królowej Bony w dwóch dramatach rozgrywających się w Bari i niezainspirowanych małżeństwem Zygmunta Augusta. Dodatkowo ukazano dzieje sceniczne jednego z tych utworów.

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3 Fabrica Litterarum Polono-Italica

2 Werner M.

1 Papieski R.

3 2020

Pogrzeb królowej Jarosława Iwaszkiewicza – opracowanie edytorskie

Zapomniany film o Barbarze Radziwiłłównie

L’immagine di Bona Sforza nella letteratura teatrale polacca [Wizerunek królowej Bony w polskiej literaturze dramatycznej]