Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Bracia Karamazow
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Все позволенно. "Братья Карамазовы" в современном театре

100%
Lappo I.
Colloquia Litteraria
|
2017
|
issue 23
PL
Irina Lappo, “Everything is Permitted. «The Karamozov Brothers» in contemporary Theatrical performances” The paper, after a brief analysis of the basic motifs and structural features of Dostoyevsky’s novels, opens with the description of the historical performance of The Karamazov Brothers from 1910 presented in Moscow Artistic Theatre (MCHAT) and directed by Niemirovitsch-Dancenko. The main theme of this paper are three key performance of Dostoyevsky’s final novel: by Janusz Opryski (2010), Sylwa Kricikene (2011) and Lev Erenburg (2016).
2
Publication available in full text mode
Content available

Zapach śmierci, epilepsja i portret papieża ("Tatarak" Andrzeja Wajdy i "Bracia Karamazow" Petra Zelenki)

63%
Otto W.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2009
|
vol. 7
|
issue 13-14
123-139
EN
Andrzej Wajda’a Sweet Rush (Tatarak) and Petr Zelenka’s The Karamazovs (Karamazovi) are film adaptations of literature. Both directors represent very innovative approach to the literary material. Wajda wanted to depict the theme of death and passing in original way and combined various literary sources: Jarosław Iwaszkiewicz’s short story Sweet Rush, a novelette by Sándor Márai, and Last Notes by Polish actress, Krystyna Janda. Her text is a form of reflection on the death of her husband who was a recognized cinematographer. Wajda also incorporated into the picture scenes revealing the film’s making off. Petr Zelenka’s screen adaptation of the famous novel by Fiodor Dostoievsky is based on the film record of the Prague theater presentation (also based on The Karamazovs) made in the industrial space of the Sendzimir Ironworks inPoland. The recorded spectacle became the opportunity for the director to present his artistic statement on the history and culture of the Middle andEast Europe and the artist’s status nowadays.
PL
The Smell of Heath, Epilepsy and the Pope’s Portrait (Andrzej Wajda’s “Sweet Rush” and Peter Zelenka’s “The Brothers Kramazov”) Andrzej Wajda’a Sweet Rush (Tatarak) and Petr Zelenka’s The Karamazovs (Karamazovi) are film adaptations of literature. Both directors represent very innovative approach to the literary material. Wajda wanted to depict the theme of death and passing in original way and combined various literary sources: Jarosław Iwaszkiewicz’s short story Sweet Rush, a novelette by Sándor Márai, and Last Notes by Polish actress, Krystyna Janda. Her text is a form of reflection on the death of her husband who was a recognized cinematographer. Wajda also incorporated into the picture scenes revealing the film’s making off. Petr Zelenka’s screen adaptation of the famous novel by Fiodor Dostoievsky is based on the film record of the Prague theater presentation (also based on The Karamazovs) made in the industrial space of the Sendzimir Ironworks inPoland. The recorded spectacle became the opportunity for the director to present his artistic statement on the history and culture of the Middle andEast Europe and the artist’s status nowadays.
3
Publication available in full text mode
Content available

“I Want to Live for Immortality”: Fyodor Mikhailovich Dostoevsky in Search of God

54%
Apostolache I.
|
2020
|
vol. 67
|
issue 12
5-22
EN
Fyodor Mikhailovich Dostoevsky is one of the most important Christian writer in 19th century Russia. His works develop images, typologies, thought patterns and existential interpretations. In our present research we try to emphasise the confessional elements of Dostoevsky’s existential thinking. Starting from a brief biographical presentation, we discover the Christian value of his message; which, always ciphered with types and symbols, actually represents a valuable Christian confession and apology, in reference to the concrete sense of existence. In this regard, this great Russian writer speaks of an earthly existence, burdened with personal sins and passions, liberated by faith in God. Therefore, we have tried to analyse, from the apologetics perspective, the problem of liberty from his “Legend of the Great Inquisitor,” a magisterial chapter from his masterpiece Brothers Karamazov.
PL
„Chcę żyć dla nieśmiertelności”. Fiodor Michajłowicz Dostojewski w poszukiwaniu Boga Fiodor Michajłowicz Dostojewski jest jednym z najważniejszych pisarzy chrześcijańskich w XIX-wiecznej Rosji. Jego prace rozwijają obrazy, typologie, wzorce myślowe i interpretacje egzystencjalne. W niniejszym artykule autor stara się podkreślić elementy wyznaniowe myślenia o charakterze egzystencjalnym, jakie są obecne u Dostojewskiego. Zaczynając od krótkiej prezentacji biograficznej Dostojewskiego, autor odkrywa chrześcijańską wartość jego przesłania, które zawsze zaszyfrowane symbolami w rzeczywistości reprezentuje cenne chrześcijańskie przesłanie i apologię w nawiązaniu do konkretnego znaczenia związanego z istnieniem egzystencjalnym. Pod tym względem ten wielki rosyjski pisarz mówi o ziemskim życiu, obciążonym osobistymi grzechami i namiętnościami, wyzwolonymi przez wiarę w Boga. Dlatego w niniejszym tekście autor podjął próbę apologetycznej perspektywy problemu wolności w dziele „Legenda o Wielkim Inkwizytorze”, rozdziału magisterskiego z jego arcydzieła Bracia Karamazow.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.