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EN
The paper is an off-shoot of the author's PhD project on lamps from Roman Syria (at the University of Geneva in Switzerland), centered mainly on the collection preserved at the Art Museum of Princeton University in the United States. One of the outcomes of the research is a review of parallels from archaeological sites and museum collections and despite the incomplete documentation i most cases, much new insight could be gleaned, for the author's doctoral research and for other issues related to lychnological studies. The present paper collects the data on oil lamps from byzantine layers excavated in 1932–1939 at Antioch-on-the-Orontes and at sites in its vicinity (published only in part so far) and considers the finds in their archaeological context.
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EN
Seven rooms were unearthed completely and another four in part during the second season of excavations in House H1 in Marea. Thanks to a stratigraphic test pit the approximate date of construction of this part of the ancient town was established tentatively as the 6th century AD; it remained in use until at least the 8th century AD. The building techniques and the plan of House H1 follow the Mediterranean tradition of domestic architecture.
EN
The study of mural painting in ancient Alexandria is still based on images decorating walls of Alexandrian tombs due to the fact that discoveries of painted plaster at archaeological sites in the ancient city are rather scarce and poorly documented. For this reason, the analysis of painted decorations from both public buildings and private houses has to be supported with references to the material from the necropolis. Fragments of mural paintings, unfortunately not in large numbers, were found on the walls of buildings discovered at Polish excavations at Kom el-Dikka. They are mostly decorations of house interiors, both from the Early Roman and Imperial Periods (first–third centuries AD) as well as the Late Antique Period (fifth–sixth centuries AD). Very few remains of painted decoration of public buildings were preserved in several so-called auditoria and in some rooms of Imperial Baths. Rich assemblages of painted plaster pieces were found in debris filling interiors of particular buildings. A common presence of uniform patterns and colours indicates that the majority of the material might have come from a single large edifice located in the vicinity of Kom el-Dikka. The material, which consists of several hundred remains, includes a rich selection of imitation of stone revetment, fragments of ornamental decorations and pieces which come from bigger figural compositions. All this material could be a starting point for an in-depth study of painted decoration of Alexandrian architecture between the first and the sixth centuries AD.
EN
In one of the domestic rooms attached to the North-West Church at Hippos (Sussita), at least three ceramic pithoi were found, all of them in secondary use, possibly for the processing (storing?) of lime. One of them bore an inscription in Greek, scratched into its surface, which turned out to be an acclamation for the circus faction of the Blues. This interesting addition to the corpus of the factions’ inscriptions from Syro-Palestine is also lending the dating to the original period of the pithos’ use, which cannot be later than the Islamic conquest of the region in AD 636/638.
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