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1

IMAGES FROM THE PRODUCTION LINE. CONSTRUCTING SAINTS’ LIVES IN THE HUNGARIAN ANGEVIN LEGENDARY

100%
Szakács B. Z.
ARS
|
2011
|
vol. 44
|
issue 2
182-193
EN
The article analyses the Hungarian Angevin Legendary, a 14th-century Bolognese luxurious codex ordered by the Hungarian royal court (now kept in Rome, New York, Paris, St Petersburg, and Berkeley), even in its fragmented state belonging to the richest illuminated manuscripts of saints’ lives. In the first part of the paper, the individual pictorial elements constituting the structure of a picture are analysed, continued with the problem of repetitive compositions in the second part.
2

ČESKÁ NOTÁCIA NA SLOVENSKU V OBDOBÍ STREDOVEKU

86%
Veselovská E.
Musicologica Slovaca
|
2011
|
vol. 2 (28)
|
issue 2
173 - 206
EN
An important fact has been highlighted in the recent times by the complex source study of the medieval musical codices and fragments from the territorial area of Slovakia: written culture in the late 14th century and throughout the 15th century in the Slovak area was strongly under the influence of the learned culture of Bohemia. We have registered the direct impact of the Czech scribal tradition on the evolution of notation practice in Slovakian written sources, particularly within the time period 1370 – 1520. The codices, and some tens of fragments, which give documentary evidence of Czech notation in our geographical space were taken as a research topic, together with systematisation, analysis and evaluation of all currently known and processed musical sources from the Slovak area. The aim of research was to systematise knowledge of source materials, as well as establishing the fundamental structural features of Czech notation in Slovakia.
3

MÉTSKO-GOTICKÁ NOTÁCIA NA SLOVENSKU V OBDOBÍ STREDOVEKU

86%
Veselovská E.
Musicologica Slovaca
|
2018
|
vol. 9 (35)
|
issue 2
165 – 199
EN
Messine-Gothic notation is the most frequently used medieval notation on the territory of Slovakia. Over 3/4 of all complete manuscripts or fragments document the Messine-Gothic notational system in the time period from the first half of the 14th century to the beginning of the 16th century. In Slovakia it is documented in the former capitulary libraries in Bratislava, Spiš Chapter, and other cultural and ecclesiastical centres. Messine-Gothic notation from the territory of Slovakia exhibits a clear stylistic structure, which may be divided territorially into two extensive areas. The western group of extant monuments (Bratislava, western and most of central Slovakia) inclines to the scribal tradition of the Austrian and Moravian notational workshops (Bratislava Antiphonaries I, IIa, IIb, IV, Bratislava Missal “H” etc.). The eastern group around Spiš Chapter (eastern Slovakia: Spiš Chapter, Levoča, Košice, Prešov; part of central Slovakia: Banská Štiavnica) in style and form approximates to the Polish manuscripts from Krakow (Spiš Gradual, Spiš Antiphonary and others.).
4

VÝTAH Z POLSKÝCH PROVINCIÁLNÍCH STATUT Z ROKU 1420 V RUKOPISE MIKULOVSKÉ DIETRICHŠTEJNSKÉ KNIHOVNY

86%
Krafl P. O.
Studia Historica Nitriensia
|
2020
|
vol. 24
|
issue 1
125 – 131
EN
Provincial statutes promulgated by the Gniezno archbishop Nicolas Trąba (1412-1422) in 1420 represent a prominent Polish legal relic. The author describes an excerpt from the statutes in a manuscript No. Mk 108, which is located in the Moravian Library in Brno. The manuscript is a part of the former Dietrichstein Library in Mikulov. The manuscript probably comes from around 1440-1460. It is of pure Bohemical nature and contains mostly theological texts such as tracts and letters by John Hus, tracts by Jakoubek of Stříbro and other theological texts. The excerpt from Trąba's statutes is located in ff. 124r–137v. In some places, the text is literal transcription of selected sections of the statutes (perhaps with small grammatical differences), elsewhere, in particular cases, it also differs factually.
5

NOTATIO STRIGONIENSIS – OSTRIHOMSKÁ NOTÁCIA NA SLOVENSKU

72%
Veselovská E.
Musicologica Slovaca
|
2010
|
vol. 1 (27)
|
issue 1
46-79
EN
Esztergom notation is an achievement of medieval Hungarian scriptoria. Two codices (Bratislava Missal I, Nitra Gradual) and several tens of fragments coming from 12th-18th centuries have been preserved proving the presence of the Esztergom notation on the whole territory of Slovakia. However, it is not a dominating notational system of the medieval materials. The preserved sources document much more margin use of this medieval notational system in Slovakia. The Estergom notation is originated as an independent product of the scriptorium of the main church centre of the medieval Hungary-Esztergom.
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