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CLOTHING DISPLAYED IN MUSEUMS: FROM CONSERVATION TO INNOVATIVE DESIGN REPRESENTATIONS

100%
Lahoda O., Alferova Z., Hurdina V.
Muzeológia a kultúrne dedičstvo
|
2022
|
vol. 10
|
issue 4
47 - 62
EN
The presentation in museum exhibitions of samples of historical clothing, fashionable costumes from different periods and conceptual costumes of our time has acquired particular relevance. The development of exhibition design has attracted the attention of gallery owners, curators and representatives of the scientific community. The general cultural significance of the practices of preserving the heritage of material and artistic cultures and their representations synthesises traditional and innovative approaches to reconstruction, conservation and perception of costume, while remaining poorly studied. The strategies of contemporary curatorial practices form alternative approaches to fashion exhibitions and their organisation. In the information society, fashion exhibitions have become self-sufficient art projects that require careful scientific consideration.
2
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ŽENSKÝ KROJ LUŽICKEJ KULTÚRY V DOBE BRONZOVEJ NA SLOVENSKU (POKUS O REKONŠTRUKCIU NA ZÁKLADE HROBOVÝCH NÁLEZOV A DEPOTOV)

75%
Makarová E.
Študijné zvesti
|
2008
|
issue 44
65 - 191
EN
Clothing is a very good measure of cultural level in a specific period. The costume of prehistoric cultures represents not only textile parts of clothes. Its parts are also clothing fittings and ornaments, including jewels decorating different parts of the body by which the cultures and groups vary from each other. Because there are not well-preserved any organic parts of the prehistoric clothing in our geological-soil conditions, even we do not have any iconographical or written evidence from that time, we can use only inorganic clothing fittings and personal ornaments for reconstruction of the womenfolk costume of the Lusatian culture. People of the Slovak branch of the Lusatian culture used only cremation, so it is hard to say how they wore the personal ornaments or clothing fittings, not as in case of the inhumation graves. Providing that person had these objects with him on the funeral pyre, many times the objects had been damaged so much that it was impossible to define not only number but also original appearance of the objects. For this reason the hoards of the bronze ornaments on the area of the Lusatian culture are important help for creating idea about kinds of the things completing mainly ceremonial costumes. Only few graves were anthropologically determined, so first we had to determine the graves where women were buried. We compared objects which had been found not only in the graves of Lusatian culture with anthropological analyses in Slovakia and other countries (Moravia, Poland), but also in the graves of current cultures. We tried to find out, if the objects had been used by women. Upon them we determined individual graves as female graves. To determine which personal ornaments and clothing fittings from hoards had been component parts of the womenfolk costume we used results acquired by comparing the objects from graves.
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