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1

The prospects of performativism

100%
Zeidler-Janiszewska A.
Teksty Drugie (Second Texts)
|
2007
|
issue 5(107)
34-47
EN
Performativism is tackled in this sketch as an orientation emphasising an 'action-oriented' dimension of cultural practices, that is, a change in research accents, which is referred to as (yet another) 'turn' in the humanities. It spans across individual research disciplines (linguistics, literary science, ethnology and cultural anthropology, sociology, aesthetics) as well as some relatively autonomous areas of research (feminism, postcolonialism), whilst also interfering with certain well-established theoretical-and-methodological orientations. The authoress focuses on both selected fragments of a performativist research 'map' and 'crossroads' or 'intersections' plotted on it.
2

MUSEUM EXHIBITION. ABOUT DOMESTICATION PROCESS (Ekspozycja muzealna a problem zadomowienia)

80%
Popczyk-Szczesna B.
Anthropos?
|
2011
|
issue 16-17
81-94
EN
The Essay 'Museum exhibition. About domestication process' treats domestication as a philosophical problem, which rise of human being's need because of sense and safe. Author has convinced, searching for durability in the changing world of happenings. This kind of situation always inspires Greek philosophers, for example Parmenides, also metaphysical systems from the beginning of Christian times in diverse ways, it domesticated human in the grace of God world, found by great virtues and order - as Saint August wrote. On the other hand, it is possible notice, that domestication performs as individual existence, after this look there is another perspective. Author suggests, that domestication belongs only to the childhood, when this sensual, bodily immersion into the space-time continuum is the act of participation in the world of values. In the case, when we are interested in designation - what is domestication at all, author confirms - there are many answers, for example in the Emanuel Lévinas's works. As the philosopher, he treats domestication as happening, and the place is a home, but this documented moment is not ascribed into the place, but it realizes that using by sweetness and intimacy full of warmness. Domestication creates society, and sensuality has an ethical plan, sweetness and warmness signal about bodily closeness, visual effects become secondary. In the next volume, author deals with the question - Is it possible, that domestication experience can garner, replace again or recall again? She uses Gaston Bachelard's quote to convince, that sensation of domestication has found inside daydream, this is a very special moment, which lets experience cosmic and individual unity. Above all, this essay shows, sense of domestication appears around the table, home, temple or even agora. It is connected with establishment place, which gives a feeling: 'feels like home', that is a way of human freedom. Author also has assured, that it is possible to describe a topography of domestication, which consist of zones and rings, it shows what is close and far, places identified with authentic experience of closeness and these, which are connected with formal relations or accidental relations. In the last conclusion, author has affirmed - in this happening situation, which creates a relation with human being (in the meaning of entirety) and society, these intriguing figures of domestication, which are an act and go between art and support by exhibit cultural practices.
3

Przestrzenie Doroty Masłowskiej

80%
Czyżak A.
Białostockie Studia Literaturoznawcze
|
2013
|
vol. 4
331-345
EN
The objective of the article is to analyze different variants of creating spaces in Dorota Masłowska’s prose. It is an interpretation of the evolution of the author’s strategies of diagnosing the present, also performed through penetrating the space understood as a collection of cultural practices. The acceleration of the process of civilization changes is simultaneously a subject of Masłowska’s diagnoses as well as a factor determining the shape and destination of her creative accomplishments.
4
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Inny wymiar otwartości. Internetowa reprodukcja i redystrybucja treści kulturowych

70%
Filiciak M.
Przegląd Kulturoznawczy
|
2011
|
issue 1(9)
65-76
EN
In the article, the author uses the statistics to discuss the real growth of creativity of networked digital media users. He suggests that in the field of cultural studies grassroot creativity is often overemphasized, putting researchers at the risk of 'cultural populism' (described by Jim McGuigan in the 90s) in version 2.0. The suggestion does not question the impact of new technologies on cultural practices - although it suggests there is a need to look for a shift of power in other areas. One of them is informal circulation of professionally created cultural works. Instead of legitimizing the 'creativity compulsion', media studies should closely follow the relation not only between producers and consumers, but also between the formal and informal processes of obtaining, curating and redistributing media works.
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