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Estetyka ewolucyjna: sztuka jako adaptacja w ujęciu międzykulturowym

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Luty J.

Estetyka i Krytyka

2011

issue 2(21)

101-114

When studying various aspects of art and aesthetic tastes, contemporary evolutionists have no doubt that art is part of human nature, we have it in the brain and in the genes, as we might say today. Following the path set out by Aristotle, Hume, Darwin and his followers, evolutionary aesthetics (inspired by evolutionary psychology) develops in its three main branches: (1) anthropological ethological (E. Dissanayake, 1890s Darwinian art theorists: H. Balfour, A.C. Haddon, F. Clay), (2) evolutionary aesthetics (Dutton and continuators) and (3) literary Darwinism (B. Boyd, J. Carroll, J.Gottschall, D.S. Wilson). The article examines the theoretical proposals of D. Dutton, the author of The Art Instinct as well as the views of his predecessor, E. Dissanayake.

Przestrzenie zdziwienia w tekstach podróżniczych Michała Tyszkiewicza i Józefa Ignacego Kraszewskiego

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Górska-Szkop B.

Prace Filologiczne. Literaturoznawstwo

2018

issue 8(11) cz.2

53-66

Many researchers call the nineteenth century yet another epoch of geographic discoveries. Travel was associated with the development of knowledge and treated as a cognitive adventure. This article attempts to reconstruct the process of cognition described by Michał Tyszkiewicz and Józef Ignacy Kraszewski in their travel writings. I assign primary importance to the category of wonder. The article tries to find out what astonished travelers and how this kind of wonder influenced the image of the world they created.

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Estetyka ewolucyjna: sztuka jako adaptacja w ujęciu międzykulturowym

Przestrzenie zdziwienia w tekstach podróżniczych Michała Tyszkiewicza i Józefa Ignacego Kraszewskiego