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Stanisław Samostrzelnik jako iluminator dokumentów

100%
Miodońska B.
Folia Historica Cracoviensia
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1998
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vol. 4
EN
The article is an overview of the works of Stanisław Samostrzelnik as an illuminator.
PL
Artykuł omawia działalność Stanisław Samostrzelnika jako iluminatora dokumentów,
2
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Rozważania na temat początków klasztoru cysterskiego w Kołbaczu

100%
Radacki Z.
Materiały Zachodniopomorskie
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2016
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vol. 12
449-461
EN
Abstract: The article contains reflections on the oldest construction phase of the Cistercian monastery in Kołbacz. The author analyses, based on architectural and archaeological research, written source materials written and analogies, the issue of construction of the church of durable building material in parallel with the construction of the house of the oblates.
3
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"Iam seges est ubi troia fuit". Inskrypcje z nieistniejącej sali klasztoru cystersów w Bledzewie

67%
Grabowska B.
Nasza Przeszłość. Studia z dziejów Kościoła i kultury katolickiej w Polsce
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2017
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vol. 128
71-85
PL
Tekst opisuje dokument znajdujący się w zbiorach Archiwum Państwowego w Poznaniu. Jest to odpowiedź przeora bledzewskiego O. Jana Nepomucena Kalacińskiego i trzech innych profesów na ankietę przesłaną przez Konsystorza Poznańskiego z dnia 3 lipca 1828 r. z pytaniami o ilość mszy i innych nabożeństw sprawowanych w parafiach obsługiwanych przez cystersów, a także o treść znajdujących się w budynkach kościel-nych inskrypcji. Udzielony respons zawiera opis jednej z sal klasztornych, zdobionej malowidłami i napisami. Z ich treści wynika, iż wykonano je w następstwie obchodów jubileuszu 600-lecia ustanowienia reguły cystersów, który był obchodzony uroczyście w całym zakonie w 1699 roku. Malowidła musiały powstać po 1776 r., możliwe, że ich autorem był malarz Jan Seifrit (Szyfert), którego nazwisko zostało odnotowane w księdze wydatków klasztoru bledzewskiego. Znalezisko jest tym cenniejsze, iż sam klasztor w Bledzewie nie zachował się. Został rozebrany w 1843 r. i nie wiadomo jak wyglądało jego wnętrze. Opisany rękopis informuje o fazach budowy klasztoru, osobach, które przyczyniły się do jego powstania a także podaje wygląd jednej z najważniejszych sal klasztornych.
EN
The article presents a document from the collection of the State Archive in Poznan. It is a response of the Prior of Bledzew, Fr. Jan Nepomucen Kalaciński and three other professors to a questionnaire sent by the Consistory of Poznan on July 3rd, 1828 with questions about the number of holy masses and other services conducted in the Cistercian parishes as well as about the contents of inscriptions in church buildings. The response contains a description of one of the monastery halls decorated with paintings and inscriptions. From the contents of the inscriptions it follows that they were made in consequence of ceremonious celebrations of the 600th anniversary of founding the Cistercian rule in 1699. The paintings were supposedly made after 1776, probably by painter Jan Seifrit (Szyfert), whose name was recorded in the account book of the monastery. The finding is all the more valuable that the monastery in Bledzew no longer exists. It was dismantled in 1843 and there is no information about its interior design. The described manuscript informs about the stages of the monastery’s construction, people who contributed to its erection and describes one of its most important halls.
4
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Rękopiśmienne wykazy malarstwa i grafiki zebrane przez Johanna Gustava Gottlieba Büschinga i przechowywane w Bibliotece Uniwersyteckiej we Wrocławiu. Część 1

51%
Bończuk-Dawidziuk U., Wojtyła A.
Hereditas Monasteriorium
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2015
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vol. 7
435-480
EN
The present source edition focuses on records concerning the painting collection from the Royal Museum of Art and Antiquities in Wrocław brought together in one bound volume by Johann Gustav Gottlieb Büsching (1783–1829), currently kept in the Manuscript Department of the Wrocław University Library and entitled Büsching. Verzeichnisse die Gemalde Sammlung betreffend (no. Akc. 1948/862). The documents were compiled in 1811–1822 (with some additions from 1929) and concern a collection of paintings kept in the university library in Wrocław, which at that time was located in the former Monastery of Canons Regular of St. Augustine on the Sand Island. The paintings were part of the royal collection and came mainly from Silesian monasteries dissolved by the edict of the King of Prussia, Frederick William III, of 30 October 1810. The records begin with a list of paintings from the Monastery of Canons Regular of St. Augustine, where many works of the Silesian Baroque master Michael Leopold Willmann (1630–1706) were inventoried and priced. Another document originated during the dissolution of the Cistercian Abbey of Krzeszów and comprises a list of copperplates made mainly after Willmann’s drawings; they include the Krzeszów Passion. Another list is that of works from the valuable Baroque painting collection from the Cistercian Abbey of Lubiąż. The next leaf in the volume contains a list of works from the Cistercian Abbey of Jemielnica “yet to be sold at an auction”. Selection of paintings for galleries is well illustrated by Büsching’s hand-written notes in another document concerning a division of paintings from the Monastery of Canons Regular of St. Augustine into works to be displayed and works to be exchanged. This is followed by a list of paintings destined for an auction planned for 27 April 1814. The records concerning painting galleries also include a list from the collection of the forest district inspector from Wrocław, Friedrich Georg Graβhoff. Next comes a list of paintings from 1821 signed by Johann Heinrich Christoph Konig, a Wrocław painter who was involved in the restoration of paintings from Silesian monasteries and destined for painting galleries. The transliteration published in the present volume is the first of two parts and encompasses the first 27 leaves. The other leaves from the volume (28–93) will be published in the eighth issue of Hereditas Monasteriorum.
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