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EN
This article reflects on the current state of Czech puppet theatre, discussing the position of puppet theatre in contemporary Czech society, set against a background of what is an often-overwhelming cultural heritage. The essay uses historical inquiry and rhetorical interrogation to set out before readers some of the thorny problems that need to be solved before a foundation can be established on which the future of Czech puppetry can be based.
EN
The text summarizes results of contemporary research (after 1989) on Czech villages in south-eastern Europe. It analyses research lines that follow the former scholarly interest in Czech communities in south-eastern Europe, and presents new themes, theoretical approaches and conceptualization of this issue that have emerged since 1990s. It indicates how latest theoretical and methodological approaches have changed the “Czech compatriot discourse”. Although the author focuses mainly on ethnological and cultural-anthropological works, she also pays attention to historical, linguistic, and political-science research.
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