The article is critical about the way Kateřina Kubová (2015) analysed and compared the images of (a) Czech cultural underground in the 1970s in the official periodicals of the communist régime, and (b) the freetekno festival CzechTek taking place in the years 2004 and 2005 in Czech newspapers. Objections are made mainly concerning the historical context of (a) and concerning the whole interpretation of (b).
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