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400 lat obecności cudownego obrazu Matki Bożej Pocieszenia (Matki Bożej Czerwińskiej) na Jasnej Górze w Czerwińsku

100%
Nowiński J.
Seminare. Poszukiwania naukowe
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2013
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vol. 33
319-338
EN
The cult of Our Lady in the Czerwińsk church of the Canons Regular dates back to the church’s beginnings. It was dedicated to the Blessed Virgin Mary, which is confirmed in the bull of Pope Hadrian IV from 1155. The patroness of the church and the abbey has always been especially venerated there, as witnessed in the monastery’s liturgy and customs. In 1612, Łukasz of Łowicz was commissioned by the Czerwińsk Canons Regular to do a painting of Our Lady (figs.1, 2) modelled on Our Lady of the Snows (S. Maria Maior, Salus Populi Romani, fig. 1) from the Roman Basilica of Santa Maria Maggiore. Around 1630, the painting was placed on the new high altar. Venerated by the faithful, it came to be known as miraculous. Miracles had been testified to since 1647, and were officially recognized in 1648. The cult of the painting of Our Lady of Czerwińsk in Her sanctuary, called the Jasna Góra of Czerwińsk has continued uninterrupted to this day. On September 6, 1970, the painting was crowned with papal crowns by Cardinal Stefan Wyszyński, Primate of Poland. In the Czerwińsk sanctuary over 100 silver votive plates offered by pilgrims have been preserved (figs. 3 -10), the oldest of them dating from the 1640s
2

Missa in Dis Antoniego Milwida (1755–1837) w kontekście repertuaru kapeli klasztornej z Czerwińska nad Wisłą

100%
Bujas J.
Kwartalnik Młodych Muzykologów UJ
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2019
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issue 2(41)
43-72
EN
The musical life of Czerwińsk nad Wisłą at the turn of the 18th and 19th centuries was strictly connected with the artistic activity of Antoni Milwid (1755–1837), a composer and organist. Although there are ten compositions signed with his name preserved in the collection of the monastery’s chapel as well as other manuscripts seemingly written with his hand, the religious output of the composer has not been investigated so far. The article discusses briefly the activity of Czerwińsk’s chapel during the difficult time of the partitions of Poland and secularisation of the monastery, sketching its repertoire based on preserved manuscripts. Then, Antoni Milwid’s life and art is presented in the light of accessible sources. Finally, Missa in Dis CZs Rps 5 from Czerwinsk’s collection is analysed in terms of its form, melody, rhythm, harmony and instrumentation, what allows the author to draw general conclusions concerning the compositional workshop of Antoni Milwid.
3
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O najstarszym przedstawieniu cudownego obrazu Matki Bożej Czerwińskiej na rycinie z 1672 roku

88%
Nowiński J.
Biuletyn Historii Sztuki
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2013
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vol. 75
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issue 1
89-99
EN
A 1672 copperplate engraving of the miraculous effigy of Our Lady of Czerwińsk (1612, Łukasz of Łowicz) is discussed. The print, kept in the sanctuary in Czerwińsk on the Vistula, shows the effigy of the Madonna surrounded by numerous votive offerings featuring inscriptions and cartouches illustrating the miraculous events which have taken place thanks to her intervention.
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Prepozytura kanoników regularnych laterańskich w Krasnem na Mazowszu (1681-1819), fundacji Krasińskich herbu Ślepowron,

63%
Górczyk W. J.
Nasza Przeszłość. Studia z dziejów Kościoła i kultury katolickiej w Polsce
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2019
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vol. 132
181-218
PL
Prepozytura kanoników regularnych laterańskich w Krasnem na Mazowszu, w ziemi ciechanowskiej, rodowym gnieździe Krasińskich herbu Ślepo-wron, została utworzona w 1681 r. Kościół będący siedzibą prepozytury, którego początki sięgają XIV w., został przebudowany przez Jana Kazimierza Krasińskiego (ur. 1607 r., zm. 28 marca 1669 r.), który rozpoczął starania, aby uczynić z niego prepozyturę opactwa czerwińskiego kanoników regularnych laterańskich i Jana Do-brogosta Krasińskiego (ur. 10 czerwca 1639 r., zm. 21 lutego 1717 r.), który usku-tecznił zabiegi ojca, dając początek prepozyturze. Od tej pory parafia w Krasnem, która jest wzmiankowana po raz pierwszy pod datą 1443 r., przeszła w ręce kanoni-ków regularnych laterańskich. Pierwszym prepozytem w Krasnem został 22 stycznia 1681 r. kanonik regularny laterański ks. Franciszek Jagodkowicz. Wśród kanoników regularnych z opactwa czerwińskiego znajdujemy także Pawła Krasińskiego (†1768), który zapewne był także prepozytem kraśnieńskim. Prepozytura w Krasnem funkcjo-nowała do 1819 r., kiedy to uległo kasacie opactwo czerwińskie. Ostatnim prepozy-tem kraśnieńskim był ks. Franciszek Sulima Sułkowski. Jednak okres bytności kano-ników regularnych w Karsnem jest dłuższy, bowiem od objęcia parafii w Krasnem pierwszego kanonika regularnego do śmierci ostatniego, już ekskanonika regularnego, ks. Idziego Godlewskiego, który był proboszczem w Krasnem od 1855 r., minęło 198 lat. Kościół w Krasnem pozostaje do dzisiaj jednym z cenniejszych zabytków architektury sakralnej na Północnym Mazowszu.
EN
The Prepositure of Canons Regular of the Lateran in Krasne in Ma-zovia, in the Ciechanów land, the Krasiński family nest of the Ślepowron coat of arms, was created in 1681. The seat of the prepositure – a church dating back to the 14th century, was rebuilt by Jan Kazimierz Krasiński (born in 1607, deceased on March 28, 1669), who made efforts to make it the prepositure of the Czerwińsk Ab-bey of Canons Regular of the Lateran and Jan Dobrogost Krasiński (born on June 10, 1639, deceased on February 21, 1717), who put his father's efforts into effect, initiat-ing the creation of the prepository. From then on, the parish in Krasne, first mentioned in 1443, passed into the hands of Canons Regular of the Lateran. The first provost in Krasne, Fr. Franciszek Jagodkowicz CRL, was appointed on January 22, 1681. Among the Canons Regular of the Czerwińsk Abbey, we also find Paweł Krasiński († 1768), who most probably was also a provost. The prepositure in Krasne existed until 1819, when the Czerwińsk Abbey was dissolved. The last provost of Krasne was Fr. Fran-ciszek Sulima Sułkowski. However, the Canons Regular of the Laterans stayed in Krasne for the overall period of 198 years: from taking over the parish in Krasne by the first Canon Regular, until the death of the last ex-Canon Regular, Fr. Idzi Godlewski, the provost of Krasne since 1855. The church in Krasne remains to this day one of the most valuable monuments of sacred architecture in northern Mazovia.
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