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  1. 2 Slovenské divadlo (Slovak Theatre)

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  1. 2 Himič P.

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  2. 1 2020

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METAMORFÓZY KOŠICKEJ ČINOHERNEJ DRAMATURGIE (1924 – 1970)

100%
Himič P.
Slovenské divadlo (Slovak Theatre)
|
2020
|
vol. 68
|
issue 4
310 – 334
EN
The study outlines the development of the dramaturgy of drama theatre in the Slovak professional theatre in Košice, from the founding of the East Slovak National Theatre in 1924, down to the beginning of the so-called normalisation period. It names basic dramaturgical strands and developmental trends. The history of Košice professional theatre has several problematic stages. To a limited extent, there were compact dramaturgical time period. However, they only sporadically evolved into a long-lasting art manifesto. The non-existence of a more intensive and ideologically and aesthetically founded dramaturgical vision with respect to the drama ensemble and directorial work is among the major reasons for the situation. Moreover, the situation was oftentimes complicated by the dominance of theatre directors sometimes surpassing their artistic potential. A clash between the older and the younger generations coming on the scene seemed to have also played a key role, the latter being impacted by the post-war modern drama and theatre.
2
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LISTY DO KOŠÍC. MAGDA HUSÁKOVÁ-LOKVENCOVÁ A JANKO BORODÁČ PÍŠU JULOVI ZBOROVJANOVI

75%
Himič P.
Slovenské divadlo (Slovak Theatre)
|
2021
|
vol. 69
|
issue 1
5 – 25
EN
Julo Zborovjan (1921 - 1974) belongs to the founding theatrical generation connected with the Slovak professional theatre in Košice after World War II. Being a poet, translator, author of plays for children, and, above all, a long-time dramaturg of the Košice State Theatre, he has collaborated with many theatre directors thanks to his position in the theatre. Perhaps Janko Borodáč and Magda Husáková-Lokvencová had the most significant impact on his life. In Zborovjan’s recently catalogued written estate, one can also find extensive correspondence with the two named personalities. Its content is likely to contribute to the complementation, clarification, confirmation or correction of the existing theatrical-historical research, which the presented study also aims to point out.
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