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XX
Figure of Dariya Vikonska (Karolina-Ivanna Fedorovych-Malytska, 1893–1945) – little known and one of the least studied in contemporary literary and art studies. Today her forgotten research and literary heritage is coming back into Ukrainian cultural society. She originated from princely family and was the daughter of Ukrainian aristocrat, Ambassador to the Austrian Parliament and Austrian actress. In the article there is represented family of Dariya Vikonska. Ukrainian princely family of the Fedorovych family spreaded all over the Europe creating its histoty, culture, economic development. Line, that was ended by Karolina-Ivanna Fedorovych-Malytska remained Ukrainian. Other lines dissolved in other national cultures (often Polish).
XX
The figure of Dariya Vikonska (Karolina Ivanna Fedorovych-Malytska, 1893–1945) is little known and is one of the least studied in contemporary literary and art studies. Today, her forgotten research and literary heritage is coming back into Ukrainian cultural society. The artist can fully and deeply experience the fullness of human existence and transfer these experiences to the canvas, express it in music, or put it in the “clothes of the word” – in literature. National tradition and the sense of national belonging are very important for the artist. Hence, the vision of creativity as a process is deeply national. This national orientation of the artist is directly related to creativity as a national phenomenon rooted not in the borrowed and universally dismantled ideas and images but in the space of the national psyche. Dariya Vikonska was constantly interested in the psychology of creativity of the artist (writer, painter, composer). Her epistolary inheritance, as well as her literary studies and art studies, create a special ideological system of the vision of mental processes associated with creativity. This interest in the psychology of creativity requires the vision of art and literature as a national phenomenon inextricably linked with the mental features of the creative process seen as directly connected with the national ethnopsychology. Dariya Vikonska’s ideological, cultural, historical, and aesthetic ideas about literature, literary work, and art were surprisingly innovative, extremely relevant, and expressed the most recent ideas of the development of Ukrainian culture in the context of European culture.
PL
Niniejszy tekst jest recenzją monografii naukowej Ihora Nabytowycza „Derewo żyttia literaturnoho rodu: Iwan Fedorowycz, Wołodysław Fedorowycz, Darija Wikonśka” („Drzewo życia rodziny literackiej: Jan Fedorowicz, Wołodysław Fedorowycz, Darija Wikonśka”, 2018), traktującej o trzech pokoleniach pisarzy z rodziny Fedorowyczów. Każdy z rozdziałów omawianej książki dotyczy także poszczególnych epok literackich: portret Jana Fedorowicza, seniora rodu, odmalowany jest na tle romantyzmu, twórczość Wołodysława Fedorowycza została powiązana z czasami pozytywizmu, a badania i twórczość Dariji Wikonśkiej (Liny z Fedorowyczów Malickiej) są osadzone w modernizmie.
EN
The present text is a review of Ihor Nabytovych’s monograph “Derevo zhyttya literaturnoho rodu: Ivan Fedorovych, Volodyslav Fedorovych, Dariya Vikonska” (“Life Tree of a Literary Family: Ivan Fedorovych, Volodyslav Fedorovych, Dariya Vikonska,” 2018) that treats of three generations of the Fedorovych family. Every chapter of the book in question refers also to a specific literary epoch: the portrait of Jan Fedorowicz (Ivan Fedorovych), the senior, is presented against the background of Romanticism, Volodyslav Fedorovych’s work is linked with Positivism, and the research and output by Dariya Vikonska (Lina Malicka, de domo Fedorovych) are set in Modernism.
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