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PL
This qualitative research study takes a closer look at developing competent researchers and thus buildingresearch capacity within Europe. The rapidly changing research environment driven by globalisation,internationalization, technological advancements, and the use of innovative methodologiesimpacts how research is designed, conducted, and reported on. We argue that the current complexresearch environment calls for globally competent researchers able to engage in research projects andresearch communities across disciplines and across geographic borders. However, there is scarceempirical evidence about research knowledge and competencies which global researchers need toconduct quality research. Relevant literature is also almost silent on what kind of educational opportunitieswithin higher education institutions allow graduate students to acquire these competencies.To address the existing gap in the literature, this article brings perspectives of twenty-three novice andexperienced scholars from ten European countries. The findings showcase a spectrum of competenciesrequired by globally competent researchers as well as opportunities and challenges associated withthe acquisition of these competencies. According to the respondents, efforts need to be maximized tobuild research capacity via emerging talents. This implies paying close attention to the research learningspaces, practices, and polices where future globally competent researchers can be nurtured andshaped. Considering the small sample size of participants, the findings are not meant to be conclusivebut rather informative in nature for those involved in research.
EN
The aim of the article is to determine the theoretical-methodological guidelines used by EU scientists in their dance-therapeutic research. The study is carried out on the basis of qualitative research methods and general scientific approaches, which, within the framework of the research project “Theoretical and methodological foundations of development of choreographic-pedagogical education in Ukraine”, allow introducing into the native scientific space theoretical and methodological guidelines and experiencing in organizing dance-therapeutic training of choreographers. It is concluded that methodological guidelines for research in the field of dance therapy can be general scientific approaches and analytical methods, in particular: dialectical (makes it possible to specify the dichotomy “body-soul” in choreotherapeutic activity in their inseparable unity); historical-genetic (allows tracing the use of therapeutic properties of dance at all stages of civilization development); problem-chronological in combination with comparative (provides an opportunity to identify the interdependence of the theoretical and practical aspects of dance therapy in different European countries at different stages of its formation and development); socio-cultural in combination with structural-functional (helps to find out the social-psychological functions of dance therapy). It is proved that conceptual provisions of dance therapy are based on universal philosophical categories “movement”, “time” and “space”, which are specified as motority, temporality, and spatiality. The main philosophical concept is the physicality that determines the sensual nature of human being. It is argued that through the dance and movement the inner world of each person becomes tangible. In the EU countries, there are diverse areas of dance therapy (choreotherapy) that differ in prevailing of certain techniques, in particular psychiatric, ergo-therapeutic, socio-psychological, art-therapeutic, dance-movement (Human Structural Dance therapy, Laban Movement Analysis, rhythmic movement and dance movement therapy, etc.). It is emphasized that the search for methodological foundations of the native studies in the field of dance therapy is just starting. They should be based on both general scientific approaches and on the methodological apparatus of artistic and comparative education, art and ergotherapy, and further studies will be devoted to these issues.
DE
Die deutsche Sprache ist vor allem eine europäische Sprache; ihre Zukunft entscheidet sich in Europa, denn hier hat sie ihren Schwerpunkt. Sie wurde nicht durch Kolonialismus in der Welt verbreitet. Doch übertrifft sie in Europa nach der Zahl der Muttersprachler (95 Mio. in Europa, 120 Mio. erdeweit) und der Zahl der Staaten (7), in denen sie Amtssprache ist. Wenn wir über die deutsche Sprache im europäischen Kontext reden, fällt uns der mittlerweile auf der ganzen Welt gebräuchliche Ausdruck Globalisierung ein. Wir denken dabei in der Regel an Prozesse ökonomischer und ökologischer Verflechtungen, wir denken an die Öffnung von Märkten und Grenzen, an die wachsende Integration von Nationalstaaten durch den wirtschaftlichen und wissenschaftlichen Austausch, wir denken an politische Konfigurationen, an den technologischen Fortschritt und die kulturellen Einflüsse, aber auch an die globale Verbreitung von Ideen und Überzeugungen auf Deutsch und an seine Anziehungskraft bei seinem Erlernen.
EN
German is a European language whose future will be determined primarily in Europe, because it is here where this language is used most of all. Although the German language’s usage wasn’t expanded due to colonial achievements the number of the speakers who consider it their mother tongue makes nearly 95 million people in Europe and 120 million throughout the world. Seven European nations provide German language with official status. When they speak about this language in European context globalisation issues come forth at once. First of all it designates not only the intertwined economical and environmental development processes, but also discovery of new sales markets and borders opening, deeper integration of new nations due to scientific and economical exchange between them and “Old Europe” countries, technological progress, cultural impact and didactic attraction of the German language as well as the exchange and dissemination of ideas, thoughts, and views leading to mutual understanding between nations.
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