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REDEFINING THE THEATRE?

100%
Lindovska N.
Slovenské divadlo (Slovak Theatre)
|
2008
|
vol. 56
|
issue 3
319-325
EN
The authoress brings to attention the changes in the Slovak theatre of the latter half of the 1990s, which, beyond the magic line of the year 2000, have been increasingly powerful and dynamic. She makes note of the development of the plurality of theatrical forms. This process is linked to the process of the European integration of Slovak culture. She refers to the development of feministic theatre, art-therapy and drama-therapy, community theatre, and to particular individualistic concepts of the visual theatre. She contemplates the dynamic development of the Slovak theatre science, literature, and the theatre. In the authoress' view, the development of the invariant forms of the theatre and theatricality, new experiences, information and terminology pose a challenge to redefining the theatre of our time
2
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SLOVENSKÁ TEATROLÓGIA PO ROKU 1989 A FEMINIZMY

75%
Škripková I.
Slovenské divadlo (Slovak Theatre)
|
2016
|
vol. 64
|
issue 2
136 – 146
EN
This study describes the situation after 1989 and explores particular publications by theatre scholars with a view to identifying to what extent feminisms/the feminist/ the gender conscious have penetrated theatre theory and practice in the Slovak and Czech context. It reflects the reception of this phenomenon in contemporary Slovak and Czech theatre studies. It brings a chronology and statistics of publications of this kind in Slovak and Czech theatre studies. It records slow and cautious changes in the reception and recognition of this phenomenon in Slovak and Czech theatre theory. In addition, it brings a list of works, studies and articles dealing with this issue which were published after 1989, a summary of authors who have actively contributed to the penetration of feminisms to theatre theory in Slovakia. This study aims to bring to the foreground the topic of “women and theatre”, which has been marginal on the Slovak theatre scene until today.
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