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EN
The paper describes the work of ethnographer and museologist studying small sacral buildings. The topic of research belongs to field of history of art as well as the history of folk art. The authoress presents her own approach to the study of road crosses in the proximity of Kosice in Eastern Slovakia as a part of the scientific research tasks of the museum she is working for. She illuminates single work steps: theoretical basis of the problem, methodology of the research and documentation of the artifacts in the field, creating of catalogues and data base as well as the conclusion - creating a publication.
EN
The article presents some results of his field research carried between 1997 and 2001 in Vilnius region. It focuses on a topic not sufficiently studied in song-oriented ethnomusicology, namely instrumental practice - the kinds of instruments, social image and activities of instrumentalists. Special attention is paid to dance tradition. The author could find only 19 instrumentalists of the older generation who play dulcimer, fiddle or accordion. The traditional set of instruments includes the dulcimer, fiddle and one-sided small drum (tambourine). Historical sources confirm the existence of the musical bow and numerous aerophones connected with shepherding, such as flutes and horns. Until the 19th century the region was visited by players on hurdy-gurdies and bagpipes. The evolution of the accordion in the 20th century can be well illustrated in the region. The author discusses the process of cultural changes, e.g. the influence of broadcasting and folk ensembles, comparing historical data with contemporary interviews. His typology of local dances which comprises ritual, social, and play dances refers to the older ones of the 1930s. Dances and dance behaviour are described in a detailed way also by the performers themselves. The text presents local knowledge also on value system, e.g. standards of excellence in musical and dance performance, and generally it preserves the cultural heritage of the Polish national minority in Lithuania.
EN
Juba is a borderland city - situating in the most southern part of Sudan, in close proximity of border with Kenya, Uganda, Congo DR and Central African Republic. These limitation of this district of Southern Sudan harmonizes with the thresholds of historical periods of Juba and the whole of Southern Sudan, always hung somewhere between crisis and stabilization, war and peace, chaos and order. In the case of this particular city, the so called 'borders' are being constantly intensified by very vivid urban development. Juba is currently in the phase of creation. Furthermore, it is also a place of intensive influence of many phenomena of a transforming nature - e.g. globalization or informal commercial trade exchange. All those causes make it possible for a specific culture to maintain, both in meaning and the processual sense very close to the third phase of Arnold's van Gennep rites de passage - 'trespassing rituals'. In this case there is also the association with another grand ethnologist - Victor Turner, and his theory on the ritual of the liminality.
EN
Sudan is called 'little Africa', not only because of its geographical location but also due to the large number of different peoples inhabiting it. Even the northern part of the country, apparently homogenous with respect to ethnicity, and unified by Islam and Arab culture, is a place where a variety of tribes have lived together for ages. The article presents material from field research conducted by the author in North Sudan in 2003 and 2004. Nubians, the native population of this corner of the Nile Valley, have come under strong Arab influence which has absorbed both their culture and their language. In the villages under investigation, relics of Nubian culture can now be found only in folklore customs, especially those connected with crucial moments in human life, mostly related to women. The majority of the inhabitants of this part of the Nile Valley belong to Arab tribes, with two major groups, Djaaliin and Djuhaina. The two groups differ significantly in their way of life. Arab Djaliin are farmers who are settled the Nile Valley for good, while Arab Djuhaina are predominantly nomad herdsmen. In mutual relations between the two tribes there are many negative stereotypes and much antagonism, even more so because of the immigration of other minorities, traditionally of a lower and marginalized status, into the Nile Valley, such as Gipsies, Copts (Egyptian Christians) and the so-called Fellata (descendants of former slaves).
EN
The study is focused on the presentation of results from the first stage of a field research aimed at the expansit of the men's dance 'Moravian-Slovakian verbunk' in the village of Moravske Kninice in the Brno Region. It pays attention to the cultural and social development in the mentioned area from the mid-19th century until the presence. This development provided the conditions to take over some cultural features (folk costumes, folk songs and dances, dialect) that originally occurred solely in the territory of the ethnographic area of Moravian Slovakia (Slovacko). The verbunk dance can be seen for almost twenty years in the village of Moravske Kninice, whereby its form has been undergoing changes whose course and value the author records. She describes also the changes in Feast tradition, dance sequence, and musical accompaniment at Feast dance parties from the early 20th century until now. The contribution mentions the role of the National Institute of Folk Culture in Straznice as a guarantor of research, documentary, educational, popularizing, and promoting activities related to Moravian-Slovakian verbunk as a cultural phenomenon. The mentioned research results are a starting point for the next suggested field research works and audio-visual documentation of the occurrence and expansion of Moravian-Slovakian verbunk in the Brno Region, which will be implemented in the coming years.
EN
This paper is about the monograph on the Slovak village Cerovo, published in 1906 by Karel Chotek, the first professor of ethnography at the Comenius University in Bratislava and the pioneer of qualitative field research in the Austro-Hungarian monarchy and later in Czechoslovakia. Following Lubor Niederle’s demographical data published in the map of the Slovak community living in Hungary, Cerovo, a village in the Hont region, shows Chotek’s first attempt to cover the set of questions related to the monograph’s focus on people in their cultural setting via field research and direct experience. Though still partly immersed in stereotypes related to Czech utilitarian conceptualisation of Slovak collective identity, Chotek’s monograph shows the first step on the way to an ambitious serial (though mostly unfulfilled) project of regional monographs, known as Národopis lidu českoslovanského (The Ethnography of Czechoslavic People, 1918–1940). In the early 1950s, working already as a professor of Slavic and general ethnography at the Charles University in Prague since 1931, Chotek returned to Cerovo with an idea of a new, comparative and reconceptualised focus on the same settlement as a half century before. Even though he did not succeed in completing this new monograph, his experience inspired a number of students at the Charles University, who later pursued Chotek’s field research inspiration as important figures of Czech and Slovak ethnography during the rest of the 20thcentury (the so-called “Chotek school”). Besides rethinking the events related to the Czecho-Slovak relationship in the formative decade of professional scientific ethnography in Czech lands before World War I and, last but not least, analysing the so far unknown context of Chotek’s second expedition to Cerovo in 1953,the picture of Chotek developing his field research method from a descriptive analysis to a more structured circle of special questions/issues in the 1950s is an attempt to capture some of the methodological changes Czechoslovak ethnography went through during the first half of the 20thcentury.
EN
The study has developed in connection with this year’s field research project of the National Institute of Folk Culture, which focused on the extension of Slovak verbuňk outside the original region of its occurrence. The study describes different localities, in which verbuňk occurs, putting stress on the area south of Brno. The attention is paid to the village of Žatčany and to the description of verbuňk occurrence in this locality within the context of its cultural and social development. The study explains the importance of folklore movement for the safeguarding, renewal and development of folk culture. Verbuňk is observed as a cultural phenomenon with respect to the contemporary dance culture, dance opportunities, changes in dance order and reconstruction of folk costumes from the mid-20th century until today.
Slavica Slovaca
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2021
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vol. 56
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issue 1
55 - 68
EN
The paper deals with examples of Czech-Romanian language contacts based on data obtained by the authors during a field research in the Romanian part of the Banat, where the Czech community of Romania resides. The adaptation of Romanian contact items, cases of code switching, discourse markers, metalinguistic comments are discussed. The Czech speech of Romanians is analysed for the first time.
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