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DIVADLO AKO ARCHITEKTÚRA PAMÄTI A NÁRODNEJ IDENTITY. RUSSIAN CASE – ZLATÁ MASKA 2018

100%
Spodniaková Z.
Slovenské divadlo (Slovak Theatre)
|
2018
|
vol. 66
|
issue 2
208 – 223
EN
The author focuses on selected productions of this year's special program category of the Russian Theatre Festival Golden Mask 2018 - Russian Case in Moscow. The comparison of the latest productions of different genres and artistic aesthetics reveals the common interest of their creators in urgent socio-cultural and historical-political themes. The Russian Case category introduced Russian theatre this year as an increasingly active tool for social engagement, which is concerned with the present or the past of the nation or individual. With the vision of a better future, creators confront themselves with collective and individual memories and seek ways to cope with them in an artistic and human way.
2
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ANTINOMIES OF SOCIAL MEMORY (Antinomie socialni pameti)

75%
Subrt J.
Sociológia (Sociology)
|
2011
|
vol. 43
|
issue 2
133-157
EN
Theoretical thinking in the humanities and social sciences is formed by opinions often based on very different starting points. As a result, there are certain recurrent theoretical problems, which appear to us as antinomies, dilemmas and paradoxes. The study of social memory shows that even in these areas there are many conflicting opinions. This article outlines ten antinomies characterised by the following terms: individual memory and collective memory, spirit and matter, saving and deleting, irrevocable and revocable history, spontaneous and purposeful memory, myth and science, rationality and irrationality, liberating and traumatic memory, connecting and dividing memory, enlightenment and incorrigibility.
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