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PHILOSOPHICAL (RE)CONSTRUCTION OF POSTMODERN IDENTITY THROUGH THE TEACHINGS OF LACAN, HEIDEGGER AND PLATO

100%
Buday M.
Filozofia (Philosophy)
|
2023
|
vol. 78
|
issue 6
429 – 443
EN
The present article deals with the application of Jacques Lacan’s psycho-linguistic model of the chain of signification to the fragmented postmodern subject. Because of the inherent instability of the external as well as the internal environment of the subject, anxiety arises as a result of the fragmentation of the self, which, according to Lacan, has its basis in the interaction between the Symbolic order and the Real. Even though anxiety is a phenomenon that is impossible to evade, Lacan’s teachings, coupled with their immersion in Martin Heidegger’s understanding of the essence of technology, and the contemporary reinterpretation of Plato’s Allegory of the Cave, show that the subject can teach himself to navigate the complexities of anxiety and, consequently, even learn to use it for his benefit.
2

PRE LÁSKU LACANOVSKÚ (A BÁSNICKÚ): FEMINIZMY, PSYCHOANALÝZA A BÁSNICKÝ VÝSKUM SUBJEKTU A TELA V DEBUTE NÓRY RUŽIČKOVEJ MIKRONAUTI

86%
Hostová I.
Slovenská literatúra (Slovak Literature)
|
2024
|
vol. 71
|
issue 3
261 – 277
EN
The essay provides a new reading of the debut collection of poems by the experimental poet and conceptual artist Nóra Ružičková (b. 1977). After outlining the way the feminist thought entered Slovak academic and literary discourse in the 1990s, the article conducts a Lacanian reading of chosen elements of the poet’s first collection of poems Mikronauti ([Micronauts] 1998). The essay starts from a reading of several of Ružičková’s poems published in the Slovak (and Czech) feminist periodical Aspekt (1993 – 2004) in 1997 and then moves on to discussing the way the collection was read through the prism of feminist theory (Hélène Cixous and her concept of écriture féminine). The article then provides a close reading of a poem addressing the issue of women’s writing. The last section of the essay discusses the research of the body and the subject with regards to interiority and exteriority and the visual means of expression in Lacan (topology) and Ružičková who also illustrated her collection of poems. In its concluding remarks, the essay proposes to conceptualise Ružičková’s writing as research-based poetry.
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