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Sentence structure in the works of J. Arbes, A. Jirásek, and J. Zeyer

100%
Schacherl M.
Bohemistyka
|
2022
|
issue 3
337-351
EN
The aim of this study is to analyse and compare the use of the sentences in the selected texts by Jakub Arbes, Alois Jirásek and Julius Zeyer. On the basis of a set of frequency analyses, the contribution summarizes selected individual aspects of the prose style used in the works of Jakub Arbes, Alois Jirásek, and Julius Zeyer. The paper deals with linear sentence length of simple sentences and commplex/compound sentences in texts of the selected authors. The focus is on characteristic features of the narrative style of these very much different 19th Century Czech Authors as well as on similarities relating their style.
2
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"Toť utopie!": Newtonův mozek Jakuba Arbesa a počátky české science fiction v žánrovém pohledu

81%
Adamovič I.
Česká literatura (Czech Literature)
|
2023
|
vol. 71
|
issue 3
269-287
EN
Jakub Arbes’s (1840–1914) Newtonův mozek (Newton’s Brain) is one of his first series of “romanettos”, a recently created genre that was associated with him in particular. However, Newton’s Brain was later referred to as a Czech science fiction forerunner and the very first Czech science fiction prose work. The following article analyses how close Newton’s Brain is to the science fiction genre, both in terms of traditional criteria and more recent views on literary genres, which perceive genre not as an immutable literary category, but as a historically anchored process inherently connected with the publication, reading and reflection upon a given group of texts.
3
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Kognitivní a percepční perspektiva ve vybraných prózách Jana Nerudy a Jakuba Arbesa a jejich funkční korelace:

81%
Změlík R.
Česká literatura (Czech Literature)
|
2020
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vol. 68
|
issue 4
438-467
EN
The present work focuses on two types of narrative perspective — cognitive and perceptual. The cognitive perspective is understood to comprise the ways in which the fictional world can be mentally conceptualized from the standpoint of the characters, or such a perspective is a manifestation of collective opinion, which of course is not the subject of this work. The perceptual perspective is understood to comprise sensual perception, through which the phenomena or events of the fictional world are filtered. Based on Wolf Schmid’s conceptualization, we distinguish two basic aspects of narrative perspective, the first being the way evens are perceived or understood, while the second is the way they are represented and realized within the narrative. Another essential feature is the function of both perspectives, which manifests itself not only in terms of what is filtered by these perspectives and what is reflected in the semantics but also reciprocally. It is then our primary task to follow the way both perspectives functionally determine each other. We perform an analysis of this phenomenon on the corpus of Jan Neruda’s and Jakub Arbes’s prose works, which were written at around the same time. Firstly we show how the identified types of perspective are realized in the prose works of both authors, who each represent a differing realist school in Czech literature. We then focus on their functional correlations and find that Neruda’s prose work is characterized more by situations in which a cognitive perspective on a rationally modal basis determines the perceptual perspective, so that sense perceptions or illusions are corrected by the rational cognitive framework, whereas in the case of Arbes’s prose works under review, the reverse is for the most part the case. The typologically different functional correlation method of both perspectives is manifested in the sphere of diegesis, narrative strategy and composition, as well as in the conception of the fictional time-space, for example. Just as the usage of the perspective type or of the functional correlations does not necessarily determine the narrative composition, nor does it necessarily relate to the overall general orientation of the work on the Romanticism-Realism axis. However, its individual segments (setting and characters) determined by the functional polarity of both perspectives may refer to one of these literary mainstreams of the period.
4
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Śladami „skradzionego” mózgu. Fantastyczne fabuły w romanetach Jakuba Arbesa

75%
Grigorowa M.
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
|
2017
|
issue 6
207-223
EN
The article is concerned with the generic specifics of the romaneto, a literary mode established by Czech writer Jakub Arbes, taking as its vantage point the way in which fantastic storylines operate within it. Arbes’s romanettos can be characterized by the interplay of gothic writing and science fiction. The study focuses on his most wellknown romanetto Newton’s Brain (Newtonův mozek). The analysis aims at a comparative investigation of the stolen brain motif related to the popular story of Einstein’s stolen brain and its literary repercussions.
PL
Artykuł dotyczy wyznaczników romaneto – gatunku literackiego zapoczątkowanego przez czeskiego pisarza Jakuba Arbesa – przyjmując za punkt wyjścia sposób, w jaki rozwijają się w nim fantastyczne fabuły. Romaneta Arbesa charakteryzuje wzajemne oddziaływanie powieści gotyckiej i science fiction. Artykuł koncentruje się na najbardziej znanym romaneto Mózg Newtona (Newtonův mozek). Analiza skupia się na porównawczym rozpatrywaniu motywu ukradzionego mózgu w relacji do historii o ukradzionym mózgu Ensteina i jej literackich reperkusjach.
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