Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Jaroslav Durych
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Boží duha v Divadle U stolu  : rekonstrukce inscenačních postupů

100%
Klein P.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2017
|
vol. 20
|
issue Supplementum_2
50-59
EN
The author of this thesis deals with the inscenation of Jaroslav Durych's text The God's Rainbow which is build on the principles of modernistic theatre. The Theatre at the Table is trying to find the lost continuity of modern form and as same as before they are demonstrating the imposing conections between old a new generation which are sitting in the audience unified as ancestral polis. The God's Rainbow won the 3rd price in the public inquiry about Inscenation for the Year 2001 (Theatre Newspapers), there were also some nominations in Alfred Radok's Nadation.
2
Publication available in full text mode
Content available

„in der Geschichte des tschechischen Buches ein beispielloser moralischer Erfolg“.

57%
Kasten T.
Slovo a smysl - Word & Sense
|
2015
|
vol. 12
|
issue 24
126-154
EN
The 1918 founding of the independent Czechoslovak Republic completely changed the political and social framework of the mutual Czech-German literary transfer. In lieu of the multi-national state of the Habsburg monarchy, the discursive and institutional field of the mediating of Czech literature to the German readership was delineated by the issue of ethnic minorities, as a new instrument of foreign cultural policy. Against this historical background, the paper follows the genesis of the German translation of Jaroslav Durych’s Bloudění, brought out in 1933 as Friedland by Piper Publishing in Munich, and maps the particular mediating processes and networks and the thus incited debates regarding the direction of Czechoslovak foreign policy.
CS
Založením první československé republiky se česko-německý literární transfer ocitl v naprosto novém politickém a společenském kontextu. Diskurzivním a institucionálním rámcem prostředkování české literatury německému čtenářstvu již nebyl mnohonárodnostní stát habsburské monarchie, tvořila jej problematika menšin jako tehdy nový nástroj zahraniční kulturní politiky. Na tomto historickém pozadí je v předloženém článku sledován vznik německého překladu románu Jaroslava Durycha Bloudění, který roku 1933 vyšel pod názvem Friedland v mnichovském nakladatelství Piper. V té souvislosti jsou analyzovány konkrétní procesy zprostředkování a zprostředkovatelské sítě a také s nimi související diskuze o směřování československé zahraniční kulturní politiky.
3
Content available remote

Pavel Eisner a Bloudění Jaroslava Durycha : Literární transfer, tvorba kánonu a identita

36%
Kasten T.
Česká literatura (Czech Literature)
|
2014
|
vol. 62
|
issue 6
745-783
EN
The life and work of Pavel Eisner and his role in literary and cultural transfer has in the past attracted the attention of many researchers. However, only marginal attention has been paid to Eisner´s German translation of Durych´s „larger“ and „smaller“ Wallenstein trilogy, despite the fact that it forms an important stage in Eisner´s work. On the basis of Eisner´s notes on the novel Bloudění, the present study deals with the issue of why Eisner was so intensively involved on behalf of Durych both on the Czech scene and in Germany. The study analyses the search for cultural, ethnic and religious / denominational identity in Eisner´s literary criticism and aesthetic attitudes.
CS
Osobnost a dílo Paula/Pavla Eisnera a jeho role v literárním a kulturním transferu přitahovala v minulých letech pozornost mnohých badatelů. Pouze okrajová pozornost však byla věnována Eisnerovu německému překladu Durychovy "větší" i "menší" valdštejnské trilogie, a to přesto, že tvoří důležitou etapu Eisnerovy tvorby. Předkládaná studie se na základě Eisnerových poznámek k románu Bloudění zabývá otázkou, proč se Eisner intenzivně angažoval pro Durycha jak v českém prostředí, tak v Německu. Studie analyzuje hledání kulturní, etnické a náboženské/konfesní identity v Eisnerových literárněkritických a estetických stanoviscích.
4
Publication available in full text mode
Content available

1929. Rok (nejen) Lazebníka: Poetika, sen, polemika

29%
Málek P.
Slovo a smysl - Word & Sense
|
2019
|
vol. 16
|
issue 32
32-108
EN
Drawing its methodological inspiration from A History of New Modernism. Czech Literature, 1905–1923 (2010), this study aims to present the development of Czech literature over the course of a single year: 1929. The objective, however, is not to portray the literary events and literary production of this year in the manner of a chronicle, nor in their entirety, but to capture certain ‘nodal’ characteristics of the imagination and literary language. There is one event that allows the author to take this approach — i.e. to identify themes, images and figures that are typical of the artistic discourse of the period —, namely the publication of Richard Weiner’s The Barber-Surgeon. The themes, motives, and figures found in this text (dream and dream writing, language, failure, literary polemics) constitute a point of departure for grasping the dominant features of a literary period which is otherwise rather amorphous. By virtue of Weiner’s poetics, a thread of sense begins to emerge, and eventually the ‘story’ or ‘drama’ of 1929, out of the re-constructed configurations and correlations of several different literary texts. Through its ‘otherness’, Weiner’s ‘dream poetics’ separated itself from the universalizing aesthetic concept of its time, thus falling ‘out of the picture’ from the perspective of literary history. By contrast, the author considers it as the central feature of a network of relations among a number of texts published in 1929: the short story AM from Jakub Deml’s collection My Purgatory; the poem The New Icarus by Konstantin Biebl; Karel Čapek’s Tales from Two Pockets; Jaroslav Durych’s essay on Poetics; and Vladislav Vančura’s novel The Last Judgement. The themes and figures under consideration here — poetics, dreams, dream writing and literary polemics — are all related to the writer’s self-consciousness in the creative process and the attention paid by the writer to material elements of the work. This manifests itself as an interest in the question of poetics and in a vivid ‘linguistic awareness’, which is also manifested in the widespread interest in questions of language and the culture of language that Czech linguists, especially those associated with the Prague Linguistic Circle, studied in accordance with — and in dialogue with — contemporary trends in modern art.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.