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Przeszłość we współczesności. O ukraińsko-rosyjskiej recepcji "Ogniem i mieczem" Jerzego Hoffmana

100%
Podlyuk A.
Acta Humana
|
2018
|
vol. 9
EN
The article is a reconstruction of the Ukrainian-Russian reception of Jerzy Hoffman’s With Fire and Sword movie. In the description of the reception of ecranisation behind the eastern border of Poland, the voices of experts – critics and historians of cinema, as well as non-professional audiences were used. The participation of this film in the formation of the attitude of Ukrainians to the common pages of 17th-century history was also subjected to reflection. Hoffman’s With Fire and Sword not only influenced the transformation of the way of reading the novel which is its literary basis, moving its reception from assessing historical credibility to displaying the entertainment values of the work, but also initiated the re-evaluation of the image of one of the controversial events of Polish-Ukrainian history in the spirit of searching for what unites both nations.
PL
Artykuł stanowi rekonstrukcję ukraińsko-rosyjskiej recepcji filmu Ogniem i mieczem Jerzego Hoffmana. W opisie odbioru ekranizacji za wschodnią granicą Polski wykorzystano zarówno głosy ekspertów – krytyków i historyków kina, jak i nieprofesjonalnych odbiorców. Refleksji został również poddany udział tego filmu w formowaniu stosunku Ukraińców do wspólnych kart siedemnastowiecznej historii. Hoffmanowskie Ogniem i mieczem nie tylko bowiem wpłynęło na przemianę sposobu czytania powieści będącej jego podstawą, przesuwając jej recepcję od ocen wiarygodności historycznej ku eksponowaniu walorów rozrywkowych utworu, ale też zainicjowało przewartościowanie obrazu jednego ze spornych wydarzeń polsko-ukraińskiej historii w duchu poszukiwań tego, co łączy oba narody.
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“Bridge over the Precipice”? Bohdan Zynoviy Khmelnytskyi by Mykola Mashchenko Compared to With Fire and Sword by Jerzy Hoffman

85%
Podlyuk A.
Slavia Orientalis
|
2020
|
vol. LXIX
|
issue 4
3
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Aleksander Scibor-Rylski w tandemach: z Kawalerowiczem, Kutzem i Hofmanem

74%
Śmiałowski P.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2019
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vol. 26
|
issue 35
5-33
EN
Aleksander Ścibor-Rylski was one of the greatest Polish scriptwriters, who in addition to numerous films based on his texts, left behind a trove of abandoned scripts. This article introduces Ścibor-Rylski as a highly versatile author, as exemplified by three scripts he wrote: Wczasy pod lipą [Lime Tree Holiday], Zaułek św. Sebastiana [Saint Sebastian Alley] and Stara baśń [An Ancient Tale]. Each of these scripts was written in a different convention and each was ordered by a different director, hence the title of this article – Aleksander Ścibor-Rylski in tandem with Kawalerowicz, Kutz and Hoffman. Apart from an analysis of the three scripts, the article describes the way they evolved, Ścibor-Rylski’s favourite stylistic clues and the reasons they remained unfinished.
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