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Las dos culturas. Literatura y ciencias del universo en la obra de Rubén Darío

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Martínez J.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2016
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vol. Special Issue: El mundo de la literatura
51-60
EN
The gap between the knowledge related to the field of literature and to that of science begins to widen at the end of the 19th century, and this separations gets more pronounced in the 20th century. However, already in the 19th century the relationship between natural science and literary science was subject of Rubén Darío’s attention, and for some time he saw them as closely related, working with the examples offered by the works of Edgar Allan Poe, Jules Verne, and G. H. Wells, on each of whom he wrote an essay. Towards the end of his life, Darío’s youthful enthusiasm for sciences dwindled.
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Le Rayon vert de Jules Verne. La confrontation ironique des discours météorologiques

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Becker K.
Studia Romanica Posnaniensia
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2021
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vol. 48
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issue 1
55-67
EN
Jules Verne’s Le Rayon vert (1882) is at the same time a scientific novel and a love story, a repertory of knowledge and a criticism of clichés. Telling the amusing attempts of a little group of travelers that tries in vain to catch sight of the “green ray” – the last impression of sunset – on the horizon from the Scottish coast, the author confronts in an ironical way different stereotypical discourses about weather phenomena which coexist in the bourgeois society of the late 19th century. Verne mocks equally scientific, folkloristic and romantic ideas about meteorological observations and uses these opposite explications of the mysteries of nature to characterize his protagonists and to develop the suspense of the narration.
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