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Formal Structure of the Text – enquiry into the chapter, the title and the introduction in Julius Zeyer`s prose style.

100%
Schacherl M.
Slavia Occidentalis
|
2017
|
issue 74/2
89-95
PL
This paper analyses three aspects (the chapter, the title and the introduction ) of prose by Julius Zeyer, a Czech poet. My explicit goal is to seek a relation between the specific forms of the text’s horizontal arrangement and its narrative rhythm as deduced from a comprehensive approach to the author’s works. The analysis relies on a presumption that in fiction, even the horizontal arrangement of a specific literary work is submitted to the function of aesthetic communication.
2
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Sentence structure in the works of J. Arbes, A. Jirásek, and J. Zeyer

100%
Schacherl M.
Bohemistyka
|
2022
|
issue 3
337-351
EN
The aim of this study is to analyse and compare the use of the sentences in the selected texts by Jakub Arbes, Alois Jirásek and Julius Zeyer. On the basis of a set of frequency analyses, the contribution summarizes selected individual aspects of the prose style used in the works of Jakub Arbes, Alois Jirásek, and Julius Zeyer. The paper deals with linear sentence length of simple sentences and commplex/compound sentences in texts of the selected authors. The focus is on characteristic features of the narrative style of these very much different 19th Century Czech Authors as well as on similarities relating their style.
3
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Zeyerův "kjógen" Lásky div

58%
Rozwalka Z.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
|
2019
|
vol. 22
|
issue 2
169-193
EN
The study deals with a less-known work of Julius Zeyer – a one-act comedy Lásky div [Love's Wonder]. Zeyer was inspired by the description of the performance of Japanese kyogen Ishigami; the source of inspiration, as well as the form of its adaptation, is analysed in detail. The play was staged only after Zeyer's death, in the time of the collectors' fever of Japanese art, especially by various ladies' clubs, and there were only three professional productions. The play has also seen two music adaptations, each of them was nevertheless staged only once. Despite the inadequate response, it was the first drama of its type in the country – a theatre variant of in Europe very popular literary japonaiseries, a genre, which features to this day staged Madama Butterfly.
CS
Studie pojednává o méně známém díle Julia Zeyera – jednoaktové komedii Lásky div. Zeyera pro její napsání inspiroval popis představení japonského kjógenu Išigami a tento inspirační zdroj a forma zacházení s ním jsou zde podrobeny detailnímu zkoumání. Hra byla inscenována až po Zeyerově smrti, v době sběratelské horečky japonského umění především různými dámskými spolky, profesionální inscenace byly pouze tři. Dočkala se i dvou hudebních adaptací, nicméně obě byly nastudovány pouze jednou. I přes malý ohlas bylo toto drama prvním svého druhu u nás – divadelní variantou v Evropě velmi populárních literárních japonérií (AJ. japonaiserie), žánrem, do kterého spadá i dodnes uváděná Madam Butterfly.
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