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in the keywords:  Lublin, XIX-XX wiek, nieznane utwory muzyczne, Franciszek Jasiński, Tadeusz Markowski, Julian Krzewiński, J. Drezner, pieśń, miniatura fortepianowa.
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Autor przedstawia i krótko omawia trzy dotychczas nieznane utwory muzyczne: pieśń Swaty Tadeusza Markowskiego (1881-1969), pieśń Orzeł i Pogoń autorstwa Juliana Krzewińskiego (1882-1943) oraz miniaturę fortepianową pod tytułem Lublinianka górą! Polka Mazurka – kompozycję nieznanego J. Dreznera (koniec XIX wieku). Kompozycje te zachowały się w zbiorze nutowym pozostałym po Franciszku Jasińskim (1895-1972), organiście kościoła św. Michała Archanioła w Lublinie.The Unknown Compositions in the Musical Score Collection of Franciszek Jasiński,the Organist of St. Michael the Archangel Church in LublinSUMMARYThe author present three previously unknown pieces: the songs Swaty [Matchmaking] by Tadeusz Markowski (1881-1969) and Orzeł i Pogoń [The Eagle and Pahonia (Vytis)] by Julian Krzewiński (1882-1943), as well as a piano miniature Lublinianka górą! [Lublinianka is in the Lead] Polka Mazurka by J. Drezner (the late nineteenth century). The piece for solo voice, accompanied by the piano, written by the now forgotten Tadeusz Markowski (the father of two well-known composers, Andrzej Markowski and Jan Markowski) allows us to broaden the knowledge of that musician’s achievements, who distinguished himself in Lublin’s musical culture. The song Orzeł i Pogoń by Julian Krzewiński, also for voice and piano, is an interesting historical document because it was dedicated to General Lucjan Żeligowski. The miniature by J. Drezner, in turn, is worth noting because it was composed by an unidentifi ed composer and has an intriguing dedication: “Presented to Fair Lublin Maidens [Ofiarowana Nadobnym Lubliniankom]”. The compositions were preserved in the score collection left by Franciszek Jasiński (1895-1972), the organist for many years at St. Michael the Archangel church in Lublin.
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