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Etuda k dějinám meistersangu v Čechách

100%
Hlavacek P.
Hudební věda (Musicology)
|
2009
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vol. 46
|
issue 1-2
58-64
EN
A valuable contribution to the knowledge on the existence of meistersang in Bohemia is provided by a remarkable source, the Kriegschronik from Krusne hory (Erzgebirge) region written by Christian Lehmann (d. 1688) of Scheibenberg, a Saxonian evangelical priest. In his chronicle, he included the song Cadner Scharmutzel, apparently copied from some earlier manuscript. In the song, the author, craftsman‘s apprentice Hans Zweck of Kadan, elsewhere known as Dichter and Meistersinger, recorded as an eye-wittness an event of 1520 that became important for growing self-confidence of the burghers - a military victory of the burghers over a nobleman. In its structure, the text of the song shows a trained compiler; this should be seen as an indirect proof of existence of a singers' brotherhood in Kadan. This hypothesis is supported by the existence of a silver portrait medal of Florian Gryspek that was engraved upon the order of the painter Samuel Braun of Kadan with an inscription in memory of his deceased brother Hans Braun in 1596. The inscription says that the medal was donated to the singers' brotherhood in Kadan, whose member Hans Braun used to be. The medal is another important indication that the royal town of Kadan might have been one of the centres of meistersang in the Bohemian kingdom in the sixteenth century.
2
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Repertoár a liturgie sedlčanských graduálů

80%
Kolacek J.
Hudební věda (Musicology)
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2008
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vol. 45
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issue 1-2
5-24
EN
A collection of 16th century music hymnbooks preserved in the town of Sedlcany (located in Central Bohemia) allows a detailed study on the evolution of chant repertoire and liturgy in the Czech reformation. Three Sedlcany graduals were examined by means of statistical comparison with other sources regarding their texts, melodies, feasts and the liturgical functions of the chants. The case study on the Sedlcany graduals promotes a new method of research into the repertoire of liturgical manuscripts.
3
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K diskusi nad sedlčanskými graduály

80%
Zurek J.
Hudební věda (Musicology)
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2009
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vol. 46
|
issue 1-2
177-186
EN
The critical response to the study of Jan Kolacek 'Repertoar a liturgie sedlcanskych gradualu', Hudebni veda 45, 1-2, pp. 5-24 , http://dlib.lib.cas.cz/3319/
4

IMPORTATION OR PARTICIPATION? REMARKS ON THE RECEPTION AND ADAPTATION OF THE GENRE 'MUSICA MORE ANTIQUE MENSURATA' IN SIXTEENTH-CENTURY POLAND

80%
Zwolinska E.
Musicology Today
|
2005
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vol. 2
49-58
EN
Several composers adopted the style 'musica more antique mensurata' and the genre of metric ode, which initiation is usually ascribed to Konrad Celtes; both those musicians whose significance was merely local and prominent composers such as Hofhaimer, Senfl, Judenkunig. Polyphonic metric odes were composed throughout the 16th century in Central Europe - Germany, Bohemia, Hungary, as well as in Poland. In the latter repertory several groups could be distinguished according to the category of importation and participation.
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