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Sztuka rozumienia i sztuka widzenia. Dwie rozmowy – z Danutą Danek i Krzysztofem Hejkem

100%
Danek D., Hejke K.
Przestrzenie Teorii
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2013
|
issue 19
173-181
EN
Two interviews: ”The art of understanding”, with the professor of literary history, Danuta Danek, and “The art of seeing”, with the professor of art photography, Krzysztof Hejke, are connected with the issue of the publication of the manuscript written in 1849 by an outstanding writer Stanisław Morawski (1802–1853) preserved in the Polish Library in Paris, entitled “Memoires about Maria Szymanowska” (containing, among other things, a romantic treatise on music, unknown till now), as well as with the set of art photographs taken in Lithuania, in the land estate of the writer.
2
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A Collage-Like Work of Music. Aspects of Variation Technique in Maria Szymanowska’s Nocturne in B-flat Major

86%
Urbanowicz M.
Kwartalnik Młodych Muzykologów UJ
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2020
|
issue 3(46) ENG
5-20
EN
The article aims to examine the way in which selected variation techniques are used in Maria Szymanowska’s Nocturne in B-flat Major, with the focus on both conventional thematic modifications and collage-like transformation of shorter motifs. By comparing the work to selected pieces by John Field and placing it within appropriate historical contexts, the author seeks to illustrate how such an approach to variation not only enriches the conventional form of the nocturne as a genre, but also highlights the possibility of programmatic intent being present.
3
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Utwór w formie kolażu. Aspekty wariacyjności w Nokturnie B-dur Marii Szymanowskiej

86%
Urbanowicz M.
Kwartalnik Młodych Muzykologów UJ
|
2020
|
issue 3(46)
5-21
EN
The article aims to examine the way in which selected variation techniques are used in Maria Szymanowska’s Nocturne in B-flat Major, with the focus on both conventional thematic modifications and collage-like transformation of shorter motifs. By comparing the work to selected pieces by John Field and placing it within appropriate historical contexts, the author seeks to illustrate how such an approach to variation not only enriches the conventional form of the nocturne as a genre, but also highlights the possibility of programmatic intent being present.
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