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Colloquia Litteraria
|
2013
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vol. 14
|
issue 1
67-86
PL
August Cieszkowski junior’s letters to Marian Zdziechowski from the years 1907–1913 Marian Zdziechowski has long been a big absentee in Polish humanities, even though he played a significant role in the intellectual life of the half of the century rich in cultural and political turns. His sensitivity and sensitiveness to the novelties of the intellectual trends of the epoch let him diagnose the contemporary human condition fairly quickly. They also allowed for him to accurately point to the necessities of the moment, both within the historical and religious fields. Zdziechowski had a particular ability to openly look at man, religion, history and philosophy, hence the possibility to acquaint oneself even with just a small part of his correspondence may prove extremely valuable. Cieszkowski junior’s letters to Marian Zdziechowski from 1907– –1913, that are presented here, are the source of information on Zdziechowski’s interest in Polish Romanticism and the bases and inspirations of Polish philosophy of the period. These letters bring the addressee closer to the reader, which is characteristic of correspondence in general. The reading of these letters makes us direct witnesses to the views expressed in them and discussions relevant to the letters’ recipient. The issues addressed in the letters concern mostly the origins of Polish messianism, Towianism and its possible influence on Zygmunt Krasiński and the philosophy of August Cieszkowski, the question of the Slavic Idea and the way of perceiving Russia.
PL
Słowiańszczyzna południowa na przełomie wieków XIX i XX z perspektywy Klubu Słowiańskiego
EN
In the years before the First World War, the “Slavic World” was published in Cracow, a monthly devoted to studying the intellectual and cultural life of Slavic nations and presenting the Polish view of Slavic issues in the face of anti-Polish activities and Pan-Slav propaganda among Slavs in the Habsburg Monarchy. The journal was the organ of the “Slavic Club”, the Association of Slavophiles from Cracow. The study presents South Slavic affairs which, along with the Ukrainian and Russian issues, attracted considerable attention of Polish researchers.
EN
This study looks at the Czech Catholic Modernism and its attempts to renew the Church. An attempt has been made to highlight the fact that the sources of inspiration came not only from Western Europe but that Czech Catholic priests were also influenced by Polish culture.
EN
Marian Zdziechowski, a renown Polish critic of the idea of Communism, maintained avast correspondence with many intellectuals of eastern Slavs, these include the Ukrainian Metropolitan — Andrzej Szeptycki. Zdziechowski’s letters, found at the State Historical Archive in Lviv, were written to the Metropolitan between 1933 and 1937. All presented a definitely negative attitude towards Communism and Bolshevism.
Pamiętnik Literacki
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2014
|
vol. 105
|
issue 1
7-24
PL
Przedmiotem dociekań interpretacyjnych autora rozprawy jest postać arlekina w „Jądrze ciemności” (1899) Josepha Conrada. Hermeneutyka postaci została przeprowadzona w szerokich kontekstach antropologii kulturowej Rosji i historii tego kraju od panowania Iwana Groźnego po czasy dzisiejsze. Poglądy Conrada na Rosję zostały także skonfrontowane z polskimi XX-wiecznymi dyskusjami politologicznymi na tematy rosyjskie (m.in. głosy Gustawa Herlinga-Grudzińskiego, Czesława Miłosza, Wita Tarnawskiego), z teoriami polskiej szkoły sowietologicznej (Bogusław Jasinowski, Marian Zdziechowski), z poglądami zachodnich sowietologów (Richard Pipes, Alain Besançon), z praktyką kolonializmu rosyjskiego (praca Ewy M. Thompson) i in. W świetle tych dociekań arlekin jawi się jako profetyczny symbol – zapowiedź bolszewickiej antykultury oraz jako metonimia Rosji i procesów wiodących ją od carskiego ucisku do komunistycznego totalitaryzmu, a w konsekwencji także do oligarchicznego systemu Władimira Putina.
EN
The object of the author’s interpretative investigation is the figure of harlequin in Joseph Conrad’s “Heart of Darkness” (1899). The figure’s hermeneutics is carried out in the broad contexts of Russia’s cultural anthropology and Russian history from the reign of Ivan the Terrible till modern times. Conrad’s views on Russia are also confronted with Polish 20th c. political science discussions on Russian cases (e.g. the voices by Gustaw Herling-Grudziński, Czesław Miłosz, Wit Tarnawski), Polish Sovietological school theories (Bogmił Jasinowski, Marian Zdziechowski), Western Sovietologists’ opinions (Richard Pipes, Alain Besançon), the practice of Russian colonialism (Ewa M. Thompson’s work) and others. In the light of these investigations the harlequin is seen as a prophetic symbol, a foretoken of Bolshevik anti-culture and as a metonymy of Russia as well as of the processes leading it from the czarist oppression to communist totalitarianism, and in consequence also to Vladimir Putin’s oligarchic system.
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