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The subject of this article is an analysis of two poems by Pär Lagerkvist from his late book Aftonland (1953) in a context which has not been considered in previous research, i.e. a poem I’ sto rinchiuso come la midolla… by Michelangelo Buonarroti. In his poems about old age and the aging artist, Lagerkvist is close to some of the crucial poetic images drawn by Michelangelo – an artist whom the Swede highly esteemed. Additionally, a Polish translation of the two poems (Gammal genius. Vid färdens sista rast…) is proposed.
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