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THE BOTANICAL ACTIVITY OF ELIZA ORZESZKOWA IN GRODNO

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The biography and works of the well-known Polish novelist Eliza Orzeszkowa (1841-1910) abound in traces of her interest in medicine and herbal remedies. As an inhabitant of the town of Grodno since 1869, Orzeszkowa engaged not only in literary and journalistic writing, but also in the study of plants and the popularization of their curative properties. In the herbarium that she collected and constantly updated, a key role was played by local plants, used predominantly for medicinal purposes. The current paper discusses the ways in which the novelist gathered, described and used her collection. It also contains information on a number of naturalist-ethnographic works of reportage, which Orzeszkowa published in the journal 'Wisla'.
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ELIZA ORZESZKOWA AS A HERBALIST

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The aim of the paper is to present the interest in herbalism of the 19th-century Polish novelist Eliza Orzeszkowa. Herbaria compiled by Eliza Orzeszkowa have been analysed and compared with 19th-century writings on herbalism. Eliza Orzeszkowa collected information on herbalism in the Grodno region. The data she obtained were published in the ethnographic journal 'Wisla'. In order to document the knowledge she obtained, Orzeszkowa created herbal collections containing Latin, Polish and folk names of the collected plants. Her interest in botany led her to develop an artistic streak, which manifested itself in the form of beautiful botanical albums and pictures. Through her interest in herbalism, Eliza Orzeszkowa contributed to the preservation of wonderful folk names of herbs and enriched our stock of information on folk medicine in the 19th century. Her plant pictures provide evidence that she was an expert in herbalism.
EN
(Titlw in Polish - 'Jaka epistema? O metodzie, kryteriach i przeslankach filozoficznych krytyki literackiej wielkiej 'trójcy powiesciopisarzy' okresu pozytywizmu'). The article is devoted to a reconstruction of the literary critical method as seen in the Polish Positivism writers. An attempt was made to characterize the method from the point of view of its relationships with the philosophical context of the epoch. Analyzing the critical papers by Prus, Orzeszkowa, Sienkiewicz, and others, the author tries to reconstruct the epistemic basis which shaped the positivist literary critical discourse. The discourse in question reveals certain assumptions (centered around the category of 'realism' and its connotations) of metaphysical and epistemological nature, and also referred to a number of procedures used in natural sciences. Positivists called for e.g. application of an objective method of literary text analysis; they also explained phenomena with the help of casual connections, tried to search for general laws, attempted to asses the reality present in a literary work through the prism of its links with the truth of reality verified in intersubjective experience, and made up a specific mode of subjectivity.
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