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RU
Проблема национальной идентичности рассматриваетя в„зеркале" таких понятий, как глобализм и„европейскость". Этот аспект самоосознания особенно активно артикулируется в украинской, польской, русской научной рефлексии. В связи с этим актуализируется сама тема образа Европы и„европейскости" как своебразного кода, который присутствует в этих национальных литературах. В исследовании образ Європы видится своеобразной моделью когнитивной материковой духовности. Эта модель в современном мире корелирует с проблемой самоидентификации. А та, в свою очередь, с рецепцией Другого, иного, соnрикасательного, межличностного. Немаловажное значение имеет тут очерченный автором рецептивный образ интуитивной Євроnы, модифицированный разными моделями национальной ментальности. В частности, пограничное (межовое) сознание украинства исследовано украинскими этнопсихологами Для более четкого формирования образа Європы приводятся примеры его присутствия в национальных литературах. Обращаясь к украинской, польской, русской научной рефлексии, автор переводит проблему межкультурного диалога из плоскости национальное/европейское в проблему полилога рецептивных моделей тожсамости в парадигме 3апад/Восток.
EN
The issue of national identity study is considered through the lens of such concepts as globalism and Europeanness. Now this aspect of self-conscience is being articulated and discussed especially actively in Ukrainian, Polish, Russian and other scientific reflections. In this regard, the theme of the image of Europe and its derivative concept of Europeanness as a kind of code which is present in these national literatures is actualized. Outlined by the author the receptive image of intuitive Europe which is modified by different models of national mentality is of general importance. For an insight on clearer formation of the image of Europe the author gives examples of its presence in national literatures. Addressing Ukrainian, Polish, Russian scientific reflections the author transforms the issue of intercultural dialogue in the context of national-European into the issue of polylogue of receptive models of identity in a West-East paradigm.
EN
The article offers a discussion of Europe’s space within contemporary migration novelists. It presents a dual vision of Europe’s image. If the immigration aspirant thinks it is a promise land with her great achievements, in the minds of those who manage to make it into her land, she is far from the home of success and self-fulfillment. Rather, the analysis inspires a continent where is paving way for the decay of social values. Our analysis shall follow a two way axis: the mirage construction end the deconstruction of paradise Europe.
FR
Notre article propose une analyse de l’espace européen dans l’écriture romanesque de l’immigration contemporaine. La représentation de l’Europe est double. Si, pour le candidat à l’émigration, elle suscite bien des espoirs grâce à ses importants progrès, elle est aussi loin de correspondre à cet espace de réussite et de consécration pour ceux qui gagnent ce continent. L’analyse consacre plutôt une déconstruction des valeurs sociétales de cette Europe. Nous établirons une double orientation axiologique : la construction du mirage et la déconstruction de l’Europe-paradis.
EN
In the Czech culture of the turn of the 20th century we can see the phenomenon of the orientalising of the Jewish populace, in which the archetype of the beautiful Jewess (la belle Juive) occupied a significant and somewhat different position. This study examines types of depiction of the beautiful Jewess in travelogues and fictional literature, and divides these tendencies into three types. The beautiful Jewess is construed by means of biblical similes and antecedents, while these often concern heavily eroticised representations that are not based on a biblical template but rather arise out of the imagination of the authors of the 19th century. The erotic subtext plays a fundamental role also in the case of the second tendency, though here the primary precursor is not a biblical figure or narrative, but the fictional character in the story rather represents a unique existence, without direct and determining intertextual ties. This type of beautiful Jewess is characterised by a significant borderline role between the Orient and the Occident, and at the same time in the narratives she also occupies the role of a tragic figure. The final tendency is to conceive the beautiful Jewess negatively, in which the narrative accentuates her use of her beauty in order to pursue her own selfish interests. Among other factors, the study examines modes of the orientalising of beautiful Jewesses, and reflects upon whether they concern positive or negative representations.
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