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EN
In the conditions of late modernity, the body is a project realized in both the public and private spheres. The aim of this article is to review theories and empirical studies concerning socio-cultural issues and the subjective determinants of perceptions of physicality. The body has become the main instrument of experiencing the world and oneself, a significant area, a key element of an individual’s identification strategy. The modern human speaks with and through the body, the person’s identity is reduced to self-presentation, by projecting their physicality, they project themselves. The presentation and reception of body is dominated by an aesthetic perspective, organically bound with the tendency to aestheticize daily life in general. The text is based on empirical data, analysis of 403 qualitative interviews conducted between 2012-2014 in Polish cities: Warsaw, Kielce, Chelmno, and Przemysl. The research shows that the emotional aspect of experiencing body, as well as the cognitive aspect within consciousness, the mental image of one’s own body, differ according to the respondents’ age and gender.
RU
The article deals with two fairy-tale motives – “youth” and “old age” in Mikhail Osor-gin’s novel A Quiet Street (Sivtzev Vrazhek, 1928). Owing to the author’s outlook and artistic strategy they do not stand in the opposition to one another, but rather depict parallel vectors of human life, its presentation the context of space (micro and macro space) as well as in the context of a philosophically meaningful historical time correlated with eternity. The author’s aim is supported by the novel’s structure – a freely arranged series of short stories. The article exposes the problem of the writer’s comprehension of human life within different time and spatial plans. The time layer covers daily, annual and eternal / universal time. The spatial dimension of the artistic world takes into account the Infinite Universe, the solar system, the Earth, Russia, Moscow and the corner house in Sivtzev Vrazhek, which is the main center of the novel structure.
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