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  1. 2 ARS

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  1. 1 Bartková V.

  2. 1 Smith J. C.

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  1. 2 2009

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1

MALIARI ZO SLOVENSKA A UMELECKÉ PROSTREDIE APENINSKÉHO POLOSTROVA V 19. STOROČÍ

100%
Bartková V.
ARS
|
2009
|
vol. 42
|
issue 2
310-330
EN
Italian artistic journeys belong to the most important themes in European art-historical writings, since the artistic production of Italian centres performed in a long term the 'codified' model and basis for the rest of Europe. Despite this, the phenomenon has not been systematically worked-out in Slovak art history. The present study is one of the first attempts of Slovak art history to map the travels of artists coming from former Upper Hungary (today Slovakia) in the 19th century - e.g. Karol Marko Sr., Karol Ľudovít Libay or Dominik Skutecký - to Rome, Naples, Florence and Venetia. It presents partial results of the current research executed mainly in Italian and local archives.
2

ALBRECHT DUERER AND EASTERN EUROPE

84%
Smith J. C.
ARS
|
2009
|
vol. 42
|
issue 1
5-22
EN
The article deals with Albrecht Duerer's relations to Eastern Europe - direct and indirect dealings of the Nuremberg based artist with artists and patrons from Poland and Prussia to Hungary and Romania. The essay is intended merely as an introduction to the topic and to some of the issues the subject raises, for example Nuremberg's international business ties, direct links to Eastern European patrons (e.g. Johannes Thurzo, bishop of Breslau), influence of Duerer's prints (e.g. on the Apocalyptic Virgin and Child Epitaph, c. 1520 (?), now in the Slovak National Gallery in Bratislava), activities of Nuremberg's artists in Eastern Europe (e.g. Veit Stoss in Krakow) or questions of the collectible Duerer (e.g. Feast of the Rose Garland obtained by the emperor Rudolf II in 1606).
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