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Filozofia (Philosophy)
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2010
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vol. 65
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issue 9
860-876
EN
In his phenomenology, Jean-Luc Marion shows how a phenomenon that appears in and out of itself evades the metaphysical demand of grounding. Classical philosophy has acknowledged phenomena only in so far as they can be sanctioned by the concepts of the intellect. This holds good also of Husserl's constitutive ego. Now, Marion distinguishes between such intuitively 'poor phenomena' and the 'saturated phenomena' that exceed the intentional consciousness; they are given not by the consciousness but to the consciousness in an excess of intuition. This 'gift of appearance' is Marion's main concern, in the visible in general, and in painting in particular. But whereas idols only reflect our own desire to see and to be seen, icons surprise us by the gaze the saint directs on us. A picture is the scene of a possible revelation; and the revelation is nothing but the phenomenon taken in its fullest meaning: intuitive saturation at its maximum. A crucial question, nonetheless, remains: What is the relation between revelation as a phenomenological possibility, and Revelation as a theological dogma of the utmost importance?
EN
The paper aims at unification of the two directions in contemporary philosophy of science: the direction which deals with the relation of data to phenomena with the direction which deals with the knowledge about mechanism and its employment in scientific thinking. It aims also at a reconstruction of the development of scientific knowledge which is characterized in contemporary philosophy of science as a movement from data, via phenomena, to mechanisms. An attempt will be made to show that this in fact amounts to an assignment of philosophical categories like data, phenomena, mechanisms, etc. This unification and reconstruction draws also on the reconstruction of the main stages of the development of knowledge leading from A.-J. Ǻngström’s measurement of the wave-lengths of spectral lines of hydrogen in 1868 to N. Bohr’s theory of hydrogen atom proposed in 1913.
Filozofia (Philosophy)
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2012
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vol. 67
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issue 4
323 – 334
EN
The paper offers an overview of the work of Edward S. Casey focusing on his phenomenological approach to peripheral and interconnected phenomena such as place and glance. Casey shows how the glance enters the world as well as how the world responds to it. Focusing on glance therefore reveals a possible articulation of how the place becomes a phenomenon within a specific mode of perception and why it deserves a phenomenological approach.
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