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  1. 2 Filozofia (Philosophy)

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  1. 1 Fišerová M.

  2. 1 Gerát I.

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  1. 1 2014

  2. 1 2008

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MIMO LOGIKY REPREZENTÁCIE. PROBLÉM NEREPREZENTOVATEĽNÉHO VO FILOZOFII OBRAZU J. RANCIERA

100%
Fišerová M.
Filozofia (Philosophy)
|
2008
|
vol. 63
|
issue 7
582-591
EN
The paper deals with the problem of representation on the background of J. Ranciere's political philosophy, in which he rejects the concept of the unrepresentable. The resolution of the problem follows from the confronting of two conceptions of the unrepresentable: that of the aesthetics of the sublime in Kant and Lyotard and of the politics of prohibition in Foucault on one hand and Ranciere's understanding of sharing the perceptible on the other hand. This discussion leads the authoress to the problem of visuality conceived as a set of the visual representations, which in a historically given period are legitimately visible. This definition of visuality returns the representation and the unrepresentable back into the political conception of image.
2

VÁROSSOV POJEM UMELECKÉHO OBRAZU VO SVELTE SÚČASNÝCH VIED O OBRAZE

86%
Gerát I.
Filozofia (Philosophy)
|
2014
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vol. 69
|
issue 2
154 – 163
EN
Artistic image is one of the central concepts of Váross’s posthumously published writings titled From creativity to creation (Bratislava 1989). Contrary to most common users of language in Váross the concept was to denote the concretization of an artwork in the percipient’s consciousness. The paper aims at a closer analysis of Váross’s definition of the concept in question, bringing the related citations and showing its place within a wider context of Váross’s theory of art. Further, it unveils some connections between his definition of artistic image and the key issues of the theory of image as reflected in contemporary image sciences (iconology, Bildwisseschaften).
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