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Proměny českého chorálu v 16. století – pokus o klasifikaci redakcí českého chorálu 16. století na příkladu aleluja ke svátku Nanebevzetí Panny Marie

100%
Žůrek J.
Hudební věda (Musicology)
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2010
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vol. 47
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issue 4
333-350
EN
This study is an attempt at a preliminary classification of Czech plainchant from the sixteenth century based on differentiation among different selections and adaptations thereof that substantially changed the chants over the course of time. This classification and the transformations effected in various adaptations are illustrated using the example of the Alleluia for the feast of the Assumption of the Virgin Mary. In the second half of the article the author attempts to sketch an interpretation of the observed changes in text and melody in relation to the context of liturgical singing in the Czech Utraquist church during the sixteenth century.
2
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Repertoár a liturgie sedlčanských graduálů

80%
Kolacek J.
Hudební věda (Musicology)
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2008
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vol. 45
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issue 1-2
5-24
EN
A collection of 16th century music hymnbooks preserved in the town of Sedlcany (located in Central Bohemia) allows a detailed study on the evolution of chant repertoire and liturgy in the Czech reformation. Three Sedlcany graduals were examined by means of statistical comparison with other sources regarding their texts, melodies, feasts and the liturgical functions of the chants. The case study on the Sedlcany graduals promotes a new method of research into the repertoire of liturgical manuscripts.
3
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K diskusi nad sedlčanskými graduály

80%
Zurek J.
Hudební věda (Musicology)
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2009
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vol. 46
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issue 1-2
177-186
EN
The critical response to the study of Jan Kolacek 'Repertoar a liturgie sedlcanskych gradualu', Hudebni veda 45, 1-2, pp. 5-24 , http://dlib.lib.cas.cz/3319/
4

OFÍCIUM ZA ZOSNULÝCH V KARTUZIÁNSKEJ TRADÍCII MORAVSKÝCH RUKOPISOV

61%
Badárová Z.
Musicologica Slovaca
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2024
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vol. 15 (41)
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issue 1
103 – 114
XX
Medieval liturgical sources from various monastic communities are an important testimony to the monastic musical culture of the area. Musical prayer formed an essential part of the monk’s daily life. In addition to the Mass liturgy, which is also encountered in diocesan settings, the liturgy of the hours, which was celebrated essentially in the form of chant, determined the basic structure of the day for each member of the order. The aim of this study is to investigate the medieval liturgical chants of the Office for the Dead in Carthusian manuscripts from the territory of Moravia. Attention will be paid to selected chants of the Matins from these codices, primarily its responsories. These chants represent a specific, Carthusian liturgical tradition, which has been documented in its stable structure since the foundation of the Carthusian Order.
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